DWRL Lesson Plans - Adaptable For Use Without Classroom Technology

Course Description:

RHE 306: Rhetoric and Writing

This course is grounded in the rhetorical analysis of "controversies," broadly defined. It is divided into three units, each one requiring some sort of outside research. The first two units are devoted to rhetorical analysis; they are mostly descriptive and allow students to become familiar with what is being said and how. The third unit is devoted to advocacy; having become familiar with the controversy, students now take a position within it and produce an informed argument for that position.

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Mind map

Teaching Close Reading through Short Composition/Revision

garbacz — Sat, 25 Apr 2015 22:19:51 +0000

Image Credit:

C.M. Battey (1873-1927), via the United States Library of Congress's Prints and Photographs division.

Brief Assignment Overview:

This lesson teaches close reading by having students compose, and then analyze, openings to biographical narratives about “great Americans.”

Type of Assignment:

Assignment Length:

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Close Reading

Textual Analysis

Pedagogical Goals - Writing:

Citation

Synthesis

Media Requirements:

Technology-Based Classroom (computers for each student)

Required Materials:

Printouts or electronic copies of student compositions.

Timeline for Optimal Use:

First Day/Week

Early in the Semester

Full Assignment Description:

Students bring to class segments of fiction or creative nonfiction (100-300 words) they have prepared, introducing a “great American” (very broadly defined). They then form into groups, and each group choses one story to revise and quote, focusing on the way its various elements (organization, vocabulary, selection of events) work together to cast a vision both for the character discussed, and for America as a whole. The class contributes to two larger discussions: that about the nature of literary evidence, and that about the constructedness of national narratives.

Suggestions for Instructor Preparation:

Prepare a brief lecture introducing the nature of literary evidence (words and phrases that are tied to larger patterns present throughout the text) and describing the “quotation sandwich” (summarize a quotation, quote it, and then analyze it.) This can be done the class before (especially if you have 50-minute classes) or at the beginning of class (in the case of 75-minute classes.)

Instructions For Students:

[Note: as in all group activities, I find it particularly useful to insist that each student records or presents one aspect of the work. Therefore, the student who wrote the story should not mark the story, a different group member should type the analysis, and a fourth student (assuming groups of four) should read the analysis to the class.]

1) Each student should have already composed the first 100-300 words for a fictional narrative about a historical figure he or she feels represents distinctively American virtues, and posted this to the class discussion site. If you are not using a tech-enabled classroom, these narratives should be printed as well.

2) In class, students will be assigned into groups. Each group should choose one member’s paper for analysis (not necessarily the “best” story, but certainly the one they feel most comfortable analyzing.)

3) Have students mark the compositions, focusing on key words and phrases that might hint at the ways their characters represent larger “American” virtues.

4) Have students compose *and post online* (or write, if using a non-digital classroom) a short analysis of the chosen narrative, focusing in particular on the way that tensions or conflicts within the text recreate a particular vision of what it means to be American.

5) Have students read the paragraph they have written out loud to the class.

6) If possible, gently guide class discussion towards appreciation for both the diversity of ways texts reflect larger attitudes, and for the ways this process is mappable at even the smallest levels of the text.

7) Remind students that the close readings will remain online as an example to consult when creating their Close Reading Assignments.

Evaluation Suggestions:

Because this is not a creative writing course, I found it essential not to grade students’ actual compositions. Instead, the compositions received full credit as long as effort was made. The group analysis of the compositions could be graded, though I chose instead to give credit on a credit/no-credit basis.

Notes on Reception, Execution, etc.:

The exercise was met with a certain degree of awkwardness, but by and large students enjoyed the change of pace and profited from the discussion. I found it particularly important to spend time chatting with each group individually, so as to provide further guidance as to what constitutes “literary evidence” and how it can be quoted.

Course Type:

Literary Studies Course

Course Description:

This exercise was used in a lower-division, writing-flag literature course focused on national narratives. Students ranged from first-years to seniors, and came from a number of majors across campus.

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Speed Dating with Thesis Statements

Amy Tuttle — Fri, 17 Apr 2015 20:40:00 +0000

Author:

Amy Tuttle

Image Credit:

Amy Tuttle

Brief Assignment Overview:

Meet a room full of thesis statements that want to meet YOU!

Type of Assignment:

Assignment Length:

Pedagogical Goals - Rhetoric:

Kairos

Style

Pedagogical Goals - Writing:

Media Requirements:

Required Materials:

Having computers for every student would enable them to save electronic copies of their documents with ease; however, this exercise could easily be adapted for use with pen and paper.

You will need a stopwatch or other timing device.

Timeline for Optimal Use:

Useful Anytime

Full Assignment Description:

For this activity, have students bring in a draft of their proposed thesis statement. After a short introduction about what you expect from their thesis statements (which could vary widely, depending on what type of class you’re teaching), provide questions for students to answer about their peers’ claims.

Give students 2 minutes to provide feedback to each thesis statement, as you keep time and facilitate their rotation around the room.

When they’ve made a complete rotation, each student should have a document full of suggestions about how to improve their existing thesis statements.

Suggestions for Instructor Preparation:

Instruct students to bring working drafts of their thesis statements to class on the day of the exercise.

Make sure you have a stopwatch or some other timing device handy.

Some instructors may prefer to use an audible signal, like a bell or an alarm, but there's really no other prep involved.

Instructions For Students:

Write your thesis statement in a Word document and save it to your computer as LastNameTHESIS. It may help your readers if you make the thesis statement stand out in some way (larger font, highlighting, bold, etc).

Once everyone is finished writing and saving their thesis statements in the document, you will stand up and move one computer to the right (or clockwise, if computers are in a circular format).

Sit down and read the thesis statement in front of you.

Below the thesis statement, give feedback to the author of the thesis statement about the effectiveness of his or her claim.

Try to respond by rewriting the thesis statement for clarity and specificity. Consider the following templates:

Tell more about WHY the author's claim is persuasive by adding a "because" statement.
Foreground something you really like about the thesis statement by expanding on it. Offer additional significance.
Foreground something that is unclear by making the thesis statement more specific. Replace vague words and phrases with clearer ones.

If you are unable to rewrite the thesis statement, offer narrative feedback, telling the author:

Why you agree with their thesis statement
What you like about their thesis statement
What you wish you knew more about their thesis statement
What confuses you about their thesis statement
What you wonder about their thesis statement
What their thesis statement makes you think of

Hit save after you've left your feedback.

Remember that you will only have two minutes to read and respond to each thesis statement, so think quickly and succinctly. I will signal you when it's time to rotate again.

Also, upon subsequent rotations, remember to return to the author's original thesis statement, leaving all peer feedback intact for the author.

We will repeat this process until you arrive back at your original document, which should be full of ideas for revision!

Course Type:

Advanced Writing Course

Literary Studies Course

Exercises in Style

Boruszak — Sun, 01 Mar 2015 22:10:54 +0000

Author:

Jeffrey Boruszak

Image Credit:

Claude Strassart-Springer, from the book "Alphabet" by Raymond Queneau (image from Wikimedia Commons)

Brief Assignment Overview:

Teach revisions and the infinite possibilities of rewriting the same paragraph with this exercise, adopted from Raymond Queneau's Exercises in Style.

Type of Assignment:

Homework Assignment

Assignment Length:

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Pedagogical Goals - Digital Literacy:

Multimedia

Remix

Media Requirements:

Timeline for Optimal Use:

Full Assignment Description:

This assignment is meant to be a fun activity that allows students to exercise their creative muscles, while simultaneously demonstrating the possibilities of revising style for different audiences. The lesson plan in adopted from Raymond Queneau's Exercises in Style (first published in English 1958). In this book, Queneau writes a single (2 page) short story, in which a narrator sees an argument on a bus, and then later recognizes one of the men on the street due to his strange hat. Queaneu then rewrites the story 99 different ways--for example, he rewrites the book as a sonnet, in slang, using exclamation points in every sentence, and even grouping words by the number of letters they contain.

I use this assignment immediately after students submit the first draft of their second essay, giving students the opportunity to either complete it in class, or work on it for credit over the next week. Students select what they believe to be their weakest paragraph from the essay they just submitted. How they evaluate the term "weakest" is up to them--all I ask is that it is a paragraph that they would genuinely like to rework and to which they would like to pay closer attention. After having students answer questions about why they would like to revise that paragraph, I turn them loose on revisions. Typically I provide a copy of Exercises in Style for reference, but some sample exercises I suggest are:

Translate the paragraph to another language, and then back to English (either on your own or through Google Translate)
Rewrite the paragraph as a tweet with 140 character limit (include mentions and hashtags if possible)
Create lists of parts of speech, and place each word under the correct category
Record yourself reading the paragraph outloud, and set it to music or remix it
Rewrite the paragraph as an internet meme

After rewriting the paragraph five times, students are asked to respond to a few questions reflecting on the process, before revising the paragraph for the next draft. The reflective questions ask them to consider their own writing voices and styles. The assignment is graded as complete/incomplete--students that actively participate in the assignment and satisfactorily meet the requirements get credit for attending class, those that do not meet the requirements are marked absent for the day.

Suggestions for Instructor Preparation:

I suggest skimming Exercises in Style in order to familiarize yourself with some potential options with students. PDFs of the first few story permutations are easily found through Google, and most University libraries should have a copy (the most recent edition is published by New Directions, and translated by Barbara Wright). Creating your own list of suggested processes is useful as well--students might be paralyzed by the "anything goes" aspect of the assignment, and creating a list of suggestions helps them get started.

Instructions For Students:

Reflect carefully on the essay that you just submitted, and choose the paragraph that you believe was the weakest in the essay. In a few sentences, describe the specific reasons you felt this paragraph needed improvement. Did it not have enough quotes? Too many quotes? Was it too long or short? Did it feel repetitive? Out of place in the essay? Did you just plain run out of time to revise it?

Experiment with your paragraph by rewriting it five times in entirely different styles. You might choose a model for your style (a favorite book, movie, song, etc.). Rewrite it as a poem. As a speech. Or you might choose a constraint a la Raymond Queneau's Exercises in Style. This is your chance to be creative and stretch your wings. The sky is the limit on this assignment.

Once you have rewritten the paragraph in five different ways, reread them all. Which was your favorite, and why? Was it just the style that made the paragraph your favorite? Or did you substantively change your paragraph's content as well? Now, answer the hardest question of all: Why don't you always write in this style? Is it the demands of the formal academic context? Or had you just not considered it at all? Do you think this style can be assimilated to your own voice when writing papers?

Now that you've had a little fun, and really atomized how the paragraph is put together, revise it in a way that you would like it to appear in your revised. And remember: sometimes the only way to improve a draft is by playing around and experimenting with it.

In order to be considered complete, the following must be submitted in a single document:

The original paragraph from your essay
A reflection on why or how it needs improvement (minimum 1 paragraph)
FIVE rewrites, with an indication of the rewrite's style
A reflection on the experiment process, answering the questions in the third paragraph of the assignment instructions
A fully revised paragraph for the next essay

If you rewrite a paragraph in a non-text format, include links to the material, or email it to me separately.

Evaluation Suggestions:

The key to this assignment is effort, so I suggest a simple complete/incomplete grading rubric. Numerical or letter grades might discourage students' creativity or invention--the use of which are not always highlighted in introductory composition classrooms, but which are critical for high levels of writing.

Notes on Reception, Execution, etc.:

This was an especially successful assignment in my class. Students responded positively, and they especially enjoyed the ability to follow their own interests. Some asked me about whether or not they could use curse words--I encouraged it as long as it was relevant to the style of their rewrite. The assignment was completed by all students within a 75 minute class period (with computers available in the room).

Additional Resources:

The Wikipedia article on Exercises in Style, which includes a list of all styles used in the book.

Course Type:

Advanced Writing Course

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Concession, Refutation and Rebuttal Through Amazon Reviews

Grewe — Sat, 15 Nov 2014 21:22:27 +0000

Author:

Lauren Grewe

Image Credit:

Image credit to Pets Adviser, www.petsadviser.com.

Brief Assignment Overview:

In this activity, students will use Amazon reviews of the Women's Sexy PhD Halloween costume to identify places where the authors concede, refute and rebut the idea behind the costume. They will then come up with their own Amazon reviews for a product, real or imagined, of their choice.

Type of Assignment:

Assignment Length:

Partial Class Period

Pedagogical Goals - Rhetoric:

Rhetorical Fallacies

Pedagogical Goals - Writing:

Pedagogical Goals - Digital Literacy:

Remix

Media Requirements:

Required Materials:

Preferably, each student or at least each student group would have their own computer on which to read the Amazon reviews. Alternatively, a few students could bring in laptops or tablets to share with their groups.

Timeline for Optimal Use:

Late in the Semester

Full Assignment Description:

Go over the Rhetoric 306 chapter that discusses concession, refutation and rebuttal. Then, introduce the students to the "sexy" women's PhD costume on Amazon. Have them get into groups and read the customer reviews for the costume. They should identify which reviews use concession, refutation or rebuttal. In the case of refutation, they should identify the flawed rhetorical argument. After they complete this task, discuss their results as a class. Then, have them work individually to write their own reviews of whatever product they want, using either concession, refutation, or rebuttal in their counter arguments.

Suggestions for Instructor Preparation:

Prepare a powerpoint of the chapter discussing concession, refutation and rebuttal.

Instructions For Students:

Have the students get on their computers and look up the "sexy" women's PhD Halloween costume on Amazon. Then, get into groups and identify concession, refutation and rebuttal in the reviews of this product. After you've done that you will discuss your findings as a class. Next, you will be writing your own Amazon reviews of whatever product you'd like, using elements of concession, refutation, and rebuttal.

Evaluation Suggestions:

No evaluation necessary.

Notes on Reception, Execution, etc.:

My students really enjoyed reading the witty Amazon reviews of the costume. Some were inspired by the sarcastic concessions and rebuttals and modeled their own reviews after those they had read.

Additional Resources:

See this article on women PhDs' responses to the costume.

Course Type:

Course Description:

This is for use in the Rhetoric 306 class.

Tags:

Halloween

Concession

Refutation and Rebuttal

Digital/Physical Library Scavenger Hunt

Meredith Coffey — Fri, 31 Oct 2014 19:05:09 +0000

Author:

Meredith Coffey

Image Credit:

Sweetaholic

Brief Assignment Overview:

For the first time in my admittedly short teaching career, I created and oversaw a library scavenger hunt for my class this semester. As critics of the activity have argued, the library scavenger hunt is at risk of purposelessness, particularly if it’s not designed with clear pedagogical or research goals in mind. I really wanted my students to familiarize themselves with the physical space of the library and practice the digital research skills we’d engaged in previous classes—so despite my concerns, I proceeded with the controversial exercise. Overall, it was a success, but it’s certainly an activity whose contours you’d want to tailor to your particular class.

Type of Assignment:

Assignment Length:

One-Two Class Periods

Pedagogical Goals - Literature:

Cultural Context

Historical Context

Literary Criticism

Pedagogical Goals - Writing:

Research

Pedagogical Goals - Digital Literacy:

Collaboration

Media Requirements:

Required Materials:

Scavenger hunt worksheets, enough for each student (should be created by the instructor prior to the class; see "Suggestions for Instructor Preparation")
Computers for student research (since the exercise takes place in the library, using the library computers works just fine or even better)

Timeline for Optimal Use:

Full Assignment Description:

There are a variety of ways an instructor could set up for this activity, but here's what I did (and found successful):

We met in our regular classroom, where I distributed my twenty-question worksheet and broke them into teams (see "Suggestions for Instructor Preparation"). After everyone had a chance to read over the sheet, we walked over to the PCL together, whereupon I showed them where I’d be waiting on the ground floor in case they had any questions or when they were ready to submit their worksheets. I emphasized that they needed to submit their worksheets by the end of the class period, whether or not they were finished. Thanks to our 75-minute class period, they all had plenty of time to complete their work.

I did not require my students to stay with their team members at all times. I said they could remain together, or they could split up if they found it more efficient to do so, as long as they each turned into me a worksheet with answers that matched those of their teammates, to prove that they'd discussed their findings with one another.

For the first portion of the following class period, we reviewed their findings and discussed the commonly missed answers.

Suggestions for Instructor Preparation:

First, I would strongly recommend having discussed digital research strategies and research goals for the class prior to this activity. We had already done these things, which was helpful because the digital research components of the exercise were much-needed practice but not first-time efforts (which undoubtedly saved time), and because they had a better understanding of why exactly I'd be encouraging them to find resources about Nigerian history, for example, when we were discussing a coming-of-age novel set primarily in Lagos (Chris Abani's GraceLand).

More immediately prior to the library scavenger hunt day, the instructor should create the scavenger hunt sheet. Because my own questions were so tailored to our specific class, I don't want to lay out our exact set of questions here, but here are some of the types of questions I found most productive:

Questions about relevant library resources. For example, I asked them how they'd obtain a copy of a certain book of which I knew UT didn't have a copy. Some of them already knew about Interlibrary Services, others decided to ask someone at the Help desk, etc.
Questions for which the answers could be found either digitally or physically. For example, I asked them to decide which chapter of a particular history book seemed like it would offer the most relevant context for a story we'd been analyzing in class. I chose this book purposely both because it was pertinent and because I knew it was available both via Google Books and in hard copy at the library. In our subsequent class discussion, we compared/contrasted strategies for tracking down digital vs. physical resources.
Questions that require students to consider the library's physical layout. That is, I asked them to find a particular book (the collection of short stories from which we had read) and then identify two others on nearby shelves that seemed relevant and interesting. A lot of them later indicated that even if they'd tracked down a book at the library before, they'd never thought to look around for pertinent titles in the area.
Questions that require just one extra step of Googling and/or that are solveable by using a series of different research strategies. For example, I asked them to find an article in Research in African Literatures about the novel we were reading. (I knew the journal had published several articles on the novel over the last ten years or so.) Most of them didn't know what Research in African Literatures was, but they all came up with an appropriate article, some because they'd Googled the journal title, others because they used library databases, and so forth. The various strategies they deployed to answer this question led us to an especially fruitful conversation later.

Ideally, the instructor should also assign teams in advance of the scavenger hunt. What worked well for me was to create an even distribution of English/Rhetoric majors, students with different class standings, etc., among the teams.

The instructor should also take into account questions of student mobility, disability, etc. I conferred with my students beforehand to make sure that the walk from the classroom to the library and the movement around the library was not at all burdensome for them.

Instructions For Students:

You have until the end of the class meeting to complete the library scavenger hunt worksheet. If you have any questions over the course of the scavenger hunt, you are welcome to come find me, but of course I can't give much away. You do not have to remain physically with your team members, but if you choose to split up research tasks, you must reconvene at the end to discuss your answers with one another. When you submit your worksheets, I will check to make sure that your sheets all have matching answers, to confirm that you've gone over everything with each other.

Evaluation Suggestions:

I scored their worksheets after class. The teams earned between 16.5 and 19 points out of a possible 20 points, so I was pretty happy with that result.

We also had a follow-up class discussion during our next meeting, which was a good opportunity to compare/contrast their various research strategies and to review the answers to commonly missed questions.

Notes on Reception, Execution, etc.:

My students seemed to enjoy and learn from the activity. Among the gains they later mentioned were that they had mostly never thought about looking around the shelves for similar titles, that they got a better sense of the library's layout, that they were less anxious to ask for help from a librarian, and that they learned from each other's research strategies (ex. brainstorming different search terms). It also didn't hurt that getting out of the classroom for a day seemed like a novel experience for many of them.

Course Type:

Course Description:

Violence, social inequality, anarchy, authoritarianism, poverty, disease, natural disaster, manmade disaster: what makes a place truly dangerous, and for which people? And how can books that merely depict dangerous places seem so threatening that they themselves are deemed too risky for certain audiences? With a broad understanding of what might constitute “danger,” we will investigate these and other questions through reading banned fiction set in dangerous places around the world.

The primary aim of this course is to help students develop and improve the critical reading, writing, and thinking skills needed for success in upper-division courses in English and other disciplines. They will also gain practice in using the Oxford English Dictionary and other online research tools and print resources that support studies in the humanities. Students will learn basic information literacy skills and models for approaching literature with various historical, generic, and cultural contexts in mind.

This course contains a writing flag. The writing assignments in this course are arranged procedurally with a focus on invention, development through instructor and peer feedback, and revision; they will comprise a major part of the final grade.

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Kairos and Ideology Analysis: American Values and Contexts

Sloan — Mon, 27 Oct 2014 21:05:23 +0000

Image Credit:

W_Minshull

Brief Assignment Overview:

This assignment asks students to fill out a worksheet for analyzing the ideological presuppositions of two arguments that rely on a popular superhero, Captain America, to make their respective arguments. This assignment can be used to solidify student understanding of kairos and presuppositions.

Type of Assignment:

Homework Assignment

Assignment Length:

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Cultural Context

Historical Context

Media Requirements:

Required Materials:

For students:

-Pen or pencil

-Worksheet (can be filled out on a computer through an LMS like Canvas or Blackboard, or in hard copy provided by instructor)

-The image and article to be analyze (either through a computer or in hard copy provided by instructor)

For instructor:

-Without classroom technology

-Hard copies of worksheet, comic book cover, and article for each student

-With classroom technology

-Projector to show image and article

Timeline for Optimal Use:

Full Assignment Description:

The Captain America comic book cover published in April, 1942 features a larger-than-life Captain America physically subduing a stereotyped caricature of Japanese Emperor Hirohito. This cover appeared shortly after the bombing of Pearl Harbor, a historical event depicted on the cover itself. Students will analyze the kairos (Pearl Harbor and WWII) and the presuppositions about American values (victory through martial power, strength, an in-group mentality, patriotism, etc.) for this comic book cover.

They will compare the American values lauded in the comic book cover with the American values mobilized by the Sikh artist Vishavjit Singh. In 2013, Singh dressed up as Captain America and walked through New York City. He catalogues his experiences in the Salon.com article "Captain America in a Turban." Students will analyze the kairos (the Twin Towers terrorist attacks, discrimination against Sikhs in America) and the presuppositions about American values (diversity, inclusivity, etc.) for this article/ performance.

After filling out the worksheet on kairos and ideology, either for homework or in class, students should be encouraged to share their answers in a group discussion.

This assignment allows students to clearly see the connection between kairos and ideology by demonstrating how the same fictional character (Captain America) can be used to mobilize very different presuppositions and beliefs.

Suggestions for Instructor Preparation:

Instructors should decide whether students will be given hard copies of the worksheet, the comic book cover and the article. Instructors should also be prepared to answer student questions about the publication dates of each source, the relevant historical context and the larger performance project of Singh.

Students should also have alread been introduced to kairos and ideology.

Students should first be given preliminary information about the comic book cover and the article. They should be provided with the publication dates for each and told about the medium in which each appeared.

Instructions For Students:

I have pasted the instructions from the worksheet below. Before filling out the worksheet, students will need to know the publication dates of each source. The worksheet is also provided below in Additional Resources. The two sources are also linked below. My students took about twenty minutes to fill out the worksheet. We spent the remainder of the class discussing their answers.

Kairos and Ideology Critique: Captain America and American Values Worksheet

Name:

Rhetorical Analysis defines kairos as “both the occasion for discourse and the surrounding conditions that present the rhetor with opportunities and constraints: opportunities or openings to say certain things in certain ways; and constraints that limit what can be said and how” (9-10). We can think about kairos partially as the historical context for a controversy.

According to Rhetorical Analysis, ideology is “a set of presuppositions that influences most everything—people’s family lives, their political choices, their intimate and professional relationships. These presuppositions must be held by an entire social class, culture, or community” (185-86). Ideological analysis allows us to identify key beliefs and values held by a group of people.

Examine the Captain America comic cover from 1942 and the Salon article about the Captain America performance piece by Vishavjit Singh in 2013. Both sources are using the ethos of Captain America to make very different arguments. Answer the following questions:

What is the kairos for each source?

Are the sources “timely,” or, do they respond intelligently to their respective kairos? How so?

What does each source presuppose about American values? What values does the comic book cover ask you to share? What values does the performance piece ask you to share?

How do the values/beliefs about American culture in each piece match or mismatch the piece’s kairos?

Notes on Reception, Execution, etc.:

This exercise seemed to make kairos and ideology readily accessible to some struggling students. The widely-known historical events of World War II and 9/11 helped clarify not only kairos, but audience as well. We talked about how the recent attack on Pearl Harbor helped create the audience for the comic cover and how an awareness of 9/11 made Singh's performance all the more relevant and powerful.

I did find it important to emphasize early on that the WWII comic cover uses racist imagery to make its argument. We had a very productive discussion about how the dehumanizing of Hirohito effectively concealed certain American ideological values like diversity while emphasizing others like exceptionalism and martial power.

Additional Resources:

April 1942 Captain America War Propaganda Comic Book Cover (Captain America punches a Monstrous Emperor Hirohito while Pearl Harbor Unfolds at their Feet)

Sept. 2013 Salon.com "Captain America in a Turban" (Sikh artist Vishavjit Singh describes his experience dressing up as Captain America and walking the streets of New York City)

Worksheet for Students:

Kairos and Ideology Critique: Captain America and American Values Worksheet

Name:

What is the kairos for each source?

Are the sources “timely,” or, do they respond intelligently to their respective kairos? How so?

What does each source presuppose about American values? What values does the comic book cover ask you to share? What values does the performance piece ask you to share?

How do the values/beliefs about American culture in each piece match or mismatch the piece’s kairos?

Course Type:

http://www.studiomatthews.com/works/six-steps-to-sustainable-development

Course Description:

I used this lesson plan in RHE 309k: The Rhetoric of Superheroes, an intermediate writing course with special topics chosen each semester by the instructors. Students are taught writing, research, rhetorical analysis, and invention.

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A Structured Approach to Teaching the OED as a Close Reading Tool

regina.mills — Mon, 27 Oct 2014 01:21:00 +0000

Author:

Regina Marie Mills

Image Credit:

Brief Assignment Overview:

Using a structured worksheet, students explore a word of interest from one of the course readings through the Oxford English Dictionary (OED) online. The worksheet asks them to consider how the definition(s) of the word can help inform their textual analysis/close reading of a text.

Type of Assignment:

Assignment Length:

Pedagogical Goals - Literature:

Close Reading

Oxford English Dictionary (OED)

Textual Analysis

Word Choice

Pedagogical Goals - Writing:

Pedagogical Goals - Digital Literacy:

Multimedia

Additional Pedagogical Goals:

Using a university database, computer literacy

Media Requirements:

Technology-Based Classroom (computers for each student)

Required Materials:

Computer/Laptop, course readings so far, OED worksheet, access to university database with OED online

Timeline for Optimal Use:

Useful Anytime

Early in the Semester

Full Assignment Description:

My students were focusing on writing close reading based entirely in the text anot not contextual resources. So to show them the ways in which exploring a single word can lead to new interpretations or ideas about a text, I created this exercise using the OED online. My goal for the exercise was to give students an introduction to using UT's library page and navigating to databases, in addition to give them an outside tool that could help them do their Essay 1 close reading. I told them that the word they exmained for the exercise could be used for their larger essay.

Suggestions for Instructor Preparation:

You may want to make hard copies of the worksheet so that students can write their answers down and use the computer just for the search process. You may also upload a soft copy of the worksheet to a class management site (ex. Blackboard, Canvas, PBworks wiki) and give the students the option to type in their responses. They can then either print the completed worksheet, E-mail it to the instructor, or upload it to the class management site (ex. Discussion Board). I also prepared an "exemplar" for them where I completed the worksheet just as the students would. It helped them to see the length of response I expected and also how my own process (which was surprisingly fruitful as prepartion for class discussion on the reading) led to new and improved readings of the original text.

Instructions For Students:

1. Make sure you have read at least one reading in class that students can use to pick their word from.

2. Show students to steps required to navigate your university's databases website in order to get to OED online.

3. Briefly showcase the search options and also the "Cite" button which provides MLA citation for the students (they love this).

4. Either take the chance to go through your exemplar together, with you explaining the questions and why you gave the responses or give students time to read through the exemplar, and then allow time for students to ask clarifying questions about the assignment.

5. Students then go to their computers/laptops and given the time you allow (at least 30 minutes though 45 minutes is probably a better time period), have them complete the worksheet, either in hard or soft copy (see "Instructor Preparation" below).

6. Students turn in the worksheet for instructor feedback.

You can also do Steps 1-4 as preparation for assigning this as homework. This has the benefit of giving students more time to explore; on the other hand, it does not allow the instructor to help students out as needed in the process.

The blank worksheet is copied below in its entirety:

Close Reading Strategies: OED Exercise

Directions: use the Oxford English Dictionary (OED) website as accessible through lib.utexas.edu to explore the etymology and multiple meanings of a word in the passage(s) you are considering for Essay 1, or any word from Douglass, DuBois, Washington, if you do not have your heart set on a passage yet. Look at the example of “propaganda” provided to be sure you complete this in proper detail. You may write on the hard copy or on the soft copy of the class website.

Go to http://www.lib.utexas.edu/ and then click on the “Databases” tab of the scoUT box. Click on the letter “O” and click on the link that read “OED (Oxford English Dictionary).”

Use the search box and type in the word you’ve chosen. Note if there is more than one entry.

Click on the entry (or entries) and read through them. Makes notes about key information, such as (but not limited to):

Etymology (origins of the word; how it has been used)

Difference between different parts of speech (is it both a noun and verb? If so, how does the word used differently as a noun or a verb?)

How many definitions? How similar or different are the definitions from each other?

Are there any “compounds” listed in the entry? If so, what does this say about the primary use of the word?

Overall, what are the thoughts you have about the word? How does this information tie into how the author might (or might not) be using the word? Is the word being used in an archaic (old, out-of-fashion) way or in multiple ways are the same time?

Make sure to consider how the word fits into the context of the entire sentence, into the context of the entire passage, and even into the context of the entire work. Write those thoughts here.

Evaluation Suggestions:

I graded this as participation, though if this a homework assignment, I would also give it a small grade. Or, you could make this an informal assessment. No matter what grade you do or do not ascribe to it, I think it is very important to give students feedback.

Notes on Reception, Execution, etc.:

I had planned a lot less time for this assignment initially but since I had made my schedule flexible for that day, I was able to adjust and add more time. I think this was appreciated by the students, who were able to complete most of the worksheet. In addition, a number of students ended up using the OED in their Essay 1's (a major writing assignment - a 4-page close reading of one text) and told me that they had been using it in other contexts. Because we did this exercise in class, I could offer commentary on their writing assignments about words I suggest they OED (we started using it as a verb) and I think that I may include OED definitions of words in future notes for students. I will definitely do this assignment again.

Additional Resources:

Below is the exemplar I created for my class, using the word "propaganda" from WEB Du Bois's "Of Booker T Washington and Others":

Go to http://www.lib.utexas.edu/ and then click on the “Databases” tab of the scoUT box. Click on the letter “O” and click on the link that read “OED (Oxford English Dictionary).”

Use the search box and type in the word you’ve chosen. Note if there is more than one entry.

Propaganda is both a noun and a verb, so I will make sure to check both links (I opened them as 2 separate tabs)

Click on the entry (or entries) and read through them. Makes notes about key information, such as (but not limited to):

Etymology (origins of the word; how it has been used)

The noun version actually originated in the church as a body that missionized groups. It wasn’t until the late 18^th century that the word took on a broader, more secular meaning as “an organization, scheme, or movement for the propagation of a particular doctrine, practice, etc.” (def. #2)

Difference between different parts of speech (is it both a noun and verb? If so, how does the word used differently as a noun or a verb?)

The verb version is rare and has the same meaning as most recent definitions of propaganda (i.e. to persuade or influence using propaganda). The noun is how DuBois uses it. But as noted above, the history of this word is quite interesting and though he probably means it in the more recent way, the church valences may still be there.

How many definitions? How similar or different are the definitions from each other?

After the church-related one, the third is fairly similar to the 2^nd one, except that they tend to emphasize the “biased and misleading” aspect of the information. There are only 3 definitions (not including the compounds).

Are there any “compounds” listed in the entry? If so, what does this say about the primary use of the word?

Yes, most of these are the tools of propaganda (like propaganda leaflet, propaganda movement, etc.)

Overall, what are the thoughts you have about the word? How does this information tie into how the author might (or might not) be using the word? Is the word being used in an archaic (old, out-of-fashion) way or in multiple ways are the same time?

Looking at this word, it made me think about it in a larger sense. I kept thinking about DuBois talking to the audience about Washington’s speeches and texts, just the print material, but I realize that DuBois is likely also talking about Washington’s “scheme” – maybe not in a nefarious way, but he is noticing that Washington’s ideas are disseminated in many ways beyond the text, by the Tuskegee machine, and by an organization that is represented by Washington but that encompasses many more people and organizations. Indeed, until I looked at this OED, I felt like propaganda was prettily singular but I can see how it connects to other aspects of the text outside of my own chosen passage.

Make sure to consider how the word fits into the context of the entire sentence, into the context of the entire passage, and even into the context of the entire work. Write those thoughts here.

I think that “propaganda” can be tied to DuBois’ invocation of the word “cult” on the second page of the text (CR 55). The cult is more related to a movement or organization and looking at this OED definition, I see propaganda as a more organized movement. In addition, I think it adds to the idea that Washington is spreading misinformation (“dangerous half-truth” on CR 60). The OED definition helped me make a connection within

Course Type:

Literary Studies Course

Course Description:

This exercise was used in a lower-division literature course focused on African American literature and culture, Black Public Intellectuals (course-listed with African American Studies). Students are range from first-years to seniors. My class has 22 students.

Tags:

Enthy/memes: Making Memes to Teach Logos

regina.mills — Tue, 21 Oct 2014 02:16:34 +0000

Author:

Regina Marie Mills

Image Credit:

Traquan Minor, created on imgflip.com

Brief Assignment Overview:

To pratice creating and breaking down enthymemes, I had students create memes (about anything), break down the stated and unstated premises and ultimately, come to a conclusion as to the meme's argument.

Type of Assignment:

Assignment Length:

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Digital Literacy:

Collaboration

Multimedia

Visualization

Media Requirements:

Technology-Based Classroom (computers for each student)

Required Materials:

If not in a technology-based classroom, then having students bring laptops to class or having them do this at home (after modeling it and providing examples) would also work.

Timeline for Optimal Use:

Full Assignment Description:

I usually take about 30 minutes for this, including time for us to break down enthy/memes (ex. Hipster Little Mermaid) together. You should have gone over enthymemes in a previous lesson and reviewed them before doing the assignment. I used this assignment in a unit focusing on rhetorical analysis, allowing students to both create and break down enthy/memes. You could also just let students break down the enthy/memes. After we break down the examples, I give students suggested memes and meme-generating websites to use (memegenerator.net or imgur.com/memegen but you can google "meme generator" and find many others). Then they are given about 20 minutes to make the meme, break down its stated and unstated premises and then post it to Discussion Board or some other class forum for student and instructor feedback.

Suggestions for Instructor Preparation:

Find a few memes that you think are current enough to use as "enthy/meme" examples. You can use joke ones that are steeped more in cultural knowledge rather than direct argument (ex. All Your Base) to begin with but also be sure to use ones that are making more nuanced arguments. Create exemplars for them to view which show what kind of structure you want them to use when breaking down their enthymeme. Have these available on a class website or other source. Be sure to scout out some meme generator sites and give them to students so that they don't waste time trying to pick one out.

Instructions For Students:

Students wil break down your example "enthy/memes" as a whole group exercise, and if desired (though this would make the activity longer), in small group settings. Once they have seen a few exemplars, they will go to a meme-generator site, create their own meme and then break down the premises (stated and unstated) in their meme along with the main argument of the meme. They will then post this to an on-line class forum for feedback. I usually give students 20 minutes to do this and if some students are very creative, I encourage them to do more than one. I have also done this in pairs, in case students are afraid that they can't come up with something good enough on their own in the time given.

Evaluation Suggestions:

I often grade this as a participation grade or as a grade for homework. This should not be a major grade and can even be just an informal assessment. However, I highly suggest having students view and comment on other classmates' work and also for the instructor to leave feedback which focuses on how well they broke down the premises of the enthy/meme.

Notes on Reception, Execution, etc.:

Overall, this has been a popular lesson and one that some of my colleagues have taken up in their classes as well. It's important to let students know that you aren't grading them on cleverness but rather on the ability to make and break down an argument by enthymeme. Some students feel flustered and think there isn't enough time, or get bogged down in making a "great" enthymeme, so you can choose to give more time or to give students who do not have a polished product in class a chance to turn it in by a certain time in the evening as homework as to alleviate that stress. However, students have loved the chance to be creative and that they get to play with something that they are very familiar with. I think it helps them re-think the meme as something a bit more complex. As a teacher who finds teaching logos so hard, it helped me feel more comfortable as well as it helped to make the enthymeme more tangible.

Additional Resources:

Here is another exemplar meme created by my students. As you can see, this can allow for deeper analysis of issues like race, sex, class, sexuality, disability, etc. You could even use this as an exemplar in class and break down the stated and unstated premises (and how it works to subvery them) as a class to see how memes can be thought-provoking as well.

Successful Black Man.jpg

Course Type:

Course Description:

I assigned this in a RHE 309K class, which is a class just a step above the introductory writing course. Many students who tested out of the introductory RHE 306 take this class as well as others who are required to take it by the school or major they are pursuing. This class is still focused on writing but centers around a particular topic/controversy in order to teach those skills.

Tags:

Enthymeme

Logos

Rhetorical analysis

Introducing Rhetorical Analysis with the 1491s

Grewe — Fri, 03 Oct 2014 16:45:11 +0000

Author:

Lauren Grewe

Image Credit:

Image from the 1491s, "I'm An Indian Too," youtube video.

Brief Assignment Overview:

This lesson plan uses the 1491s' youtube videos "I'm an Indian Too" and "Lincoln Was a Douche" to introduce students to rhetorical analysis.

Type of Assignment:

Assignment Length:

Pedagogical Goals - Rhetoric:

Rhetorical Analysis

Pedagogical Goals - Literature:

Historical Context

Pedagogical Goals - Writing:

Research

Additional Pedagogical Goals:

Learning how to research on computers for contextual, historical and biographical information.

Media Requirements:

Required Materials:

Preferably a computer for each student group. However, if students bring in tablets or laptops, this lesson plan could be adapted to classrooms without computers for each student.

Timeline for Optimal Use: