DWRL Lesson Plans - Creative Writing

Students bring to class segments of fiction or creative nonfiction (100-300 words) they have prepared, introducing a “great American” (very broadly defined). They then form into groups, and each group choses one story to revise and quote, focusing on the way its various elements (organization, vocabulary, selection of events) work together to cast a vision both for the character discussed, and for America as a whole. The class contributes to two larger discussions: that about the nature of literary evidence, and that about the constructedness of national narratives.

Suggestions for Instructor Preparation:

Prepare a brief lecture introducing the nature of literary evidence (words and phrases that are tied to larger patterns present throughout the text) and describing the “quotation sandwich” (summarize a quotation, quote it, and then analyze it.) This can be done the class before (especially if you have 50-minute classes) or at the beginning of class (in the case of 75-minute classes.)

Instructions For Students:

[Note: as in all group activities, I find it particularly useful to insist that each student records or presents one aspect of the work. Therefore, the student who wrote the story should not mark the story, a different group member should type the analysis, and a fourth student (assuming groups of four) should read the analysis to the class.]

1) Each student should have already composed the first 100-300 words for a fictional narrative about a historical figure he or she feels represents distinctively American virtues, and posted this to the class discussion site. If you are not using a tech-enabled classroom, these narratives should be printed as well.

2) In class, students will be assigned into groups. Each group should choose one member’s paper for analysis (not necessarily the “best” story, but certainly the one they feel most comfortable analyzing.)

3) Have students mark the compositions, focusing on key words and phrases that might hint at the ways their characters represent larger “American” virtues.

4) Have students compose *and post online* (or write, if using a non-digital classroom) a short analysis of the chosen narrative, focusing in particular on the way that tensions or conflicts within the text recreate a particular vision of what it means to be American.

5) Have students read the paragraph they have written out loud to the class.

6) If possible, gently guide class discussion towards appreciation for both the diversity of ways texts reflect larger attitudes, and for the ways this process is mappable at even the smallest levels of the text.

7) Remind students that the close readings will remain online as an example to consult when creating their Close Reading Assignments.

Evaluation Suggestions:

Because this is not a creative writing course, I found it essential not to grade students’ actual compositions. Instead, the compositions received full credit as long as effort was made. The group analysis of the compositions could be graded, though I chose instead to give credit on a credit/no-credit basis.

Notes on Reception, Execution, etc.:

The exercise was met with a certain degree of awkwardness, but by and large students enjoyed the change of pace and profited from the discussion. I found it particularly important to spend time chatting with each group individually, so as to provide further guidance as to what constitutes “literary evidence” and how it can be quoted.

Course Type:

Literary Studies Course

Course Description:

This exercise was used in a lower-division, writing-flag literature course focused on national narratives. Students ranged from first-years to seniors, and came from a number of majors across campus.

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Exercises in Style

Boruszak — Sun, 01 Mar 2015 22:10:54 +0000

Author:

Jeffrey Boruszak

Image Credit:

Claude Strassart-Springer, from the book "Alphabet" by Raymond Queneau (image from Wikimedia Commons)

Brief Assignment Overview:

Teach revisions and the infinite possibilities of rewriting the same paragraph with this exercise, adopted from Raymond Queneau's Exercises in Style.

Type of Assignment:

In-class Exercise

Homework Assignment

Assignment Length:

Single Class Period

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Pedagogical Goals - Digital Literacy:

Multimedia

Remix

Media Requirements:

Adaptable For Use Without Classroom Technology

Timeline for Optimal Use:

Mid-Semester

Full Assignment Description:

This assignment is meant to be a fun activity that allows students to exercise their creative muscles, while simultaneously demonstrating the possibilities of revising style for different audiences. The lesson plan in adopted from Raymond Queneau's Exercises in Style (first published in English 1958). In this book, Queneau writes a single (2 page) short story, in which a narrator sees an argument on a bus, and then later recognizes one of the men on the street due to his strange hat. Queaneu then rewrites the story 99 different ways--for example, he rewrites the book as a sonnet, in slang, using exclamation points in every sentence, and even grouping words by the number of letters they contain.

I use this assignment immediately after students submit the first draft of their second essay, giving students the opportunity to either complete it in class, or work on it for credit over the next week. Students select what they believe to be their weakest paragraph from the essay they just submitted. How they evaluate the term "weakest" is up to them--all I ask is that it is a paragraph that they would genuinely like to rework and to which they would like to pay closer attention. After having students answer questions about why they would like to revise that paragraph, I turn them loose on revisions. Typically I provide a copy of Exercises in Style for reference, but some sample exercises I suggest are:

Translate the paragraph to another language, and then back to English (either on your own or through Google Translate)
Rewrite the paragraph as a tweet with 140 character limit (include mentions and hashtags if possible)
Create lists of parts of speech, and place each word under the correct category
Record yourself reading the paragraph outloud, and set it to music or remix it
Rewrite the paragraph as an internet meme

After rewriting the paragraph five times, students are asked to respond to a few questions reflecting on the process, before revising the paragraph for the next draft. The reflective questions ask them to consider their own writing voices and styles. The assignment is graded as complete/incomplete--students that actively participate in the assignment and satisfactorily meet the requirements get credit for attending class, those that do not meet the requirements are marked absent for the day.

Suggestions for Instructor Preparation:

I suggest skimming Exercises in Style in order to familiarize yourself with some potential options with students. PDFs of the first few story permutations are easily found through Google, and most University libraries should have a copy (the most recent edition is published by New Directions, and translated by Barbara Wright). Creating your own list of suggested processes is useful as well--students might be paralyzed by the "anything goes" aspect of the assignment, and creating a list of suggestions helps them get started.

Instructions For Students:

Reflect carefully on the essay that you just submitted, and choose the paragraph that you believe was the weakest in the essay. In a few sentences, describe the specific reasons you felt this paragraph needed improvement. Did it not have enough quotes? Too many quotes? Was it too long or short? Did it feel repetitive? Out of place in the essay? Did you just plain run out of time to revise it?

Experiment with your paragraph by rewriting it five times in entirely different styles. You might choose a model for your style (a favorite book, movie, song, etc.). Rewrite it as a poem. As a speech. Or you might choose a constraint a la Raymond Queneau's Exercises in Style. This is your chance to be creative and stretch your wings. The sky is the limit on this assignment.

Once you have rewritten the paragraph in five different ways, reread them all. Which was your favorite, and why? Was it just the style that made the paragraph your favorite? Or did you substantively change your paragraph's content as well? Now, answer the hardest question of all: Why don't you always write in this style? Is it the demands of the formal academic context? Or had you just not considered it at all? Do you think this style can be assimilated to your own voice when writing papers?

Now that you've had a little fun, and really atomized how the paragraph is put together, revise it in a way that you would like it to appear in your revised. And remember: sometimes the only way to improve a draft is by playing around and experimenting with it.

In order to be considered complete, the following must be submitted in a single document:

The original paragraph from your essay
A reflection on why or how it needs improvement (minimum 1 paragraph)
FIVE rewrites, with an indication of the rewrite's style
A reflection on the experiment process, answering the questions in the third paragraph of the assignment instructions
A fully revised paragraph for the next essay

If you rewrite a paragraph in a non-text format, include links to the material, or email it to me separately.

Evaluation Suggestions:

The key to this assignment is effort, so I suggest a simple complete/incomplete grading rubric. Numerical or letter grades might discourage students' creativity or invention--the use of which are not always highlighted in introductory composition classrooms, but which are critical for high levels of writing.

Notes on Reception, Execution, etc.:

This was an especially successful assignment in my class. Students responded positively, and they especially enjoyed the ability to follow their own interests. Some asked me about whether or not they could use curse words--I encouraged it as long as it was relevant to the style of their rewrite. The assignment was completed by all students within a 75 minute class period (with computers available in the room).

Additional Resources:

The Wikipedia article on Exercises in Style, which includes a list of all styles used in the book.

Course Type:

Advanced Writing Course

Intermediate Writing Course

Introductory Writing Course

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Evaluating Satire With Rhetorical Analysis

Sloan — Sun, 29 Sep 2013 17:20:25 +0000

Author:

Casey Sloan

Image Credit:

Tete-a-Tete provided by Lacy B Timeless via Flickr

Brief Assignment Overview:

This assignment asks students to locate a product ad on their computers, and evaluate its use of ethos, pathos, and logos given its goal and target audience. It then asks students to write or visually construct a brief parody of the advertisement, share it with the class, and explain their own use of ethos, pathos and logos in relation to their goal and audience.

Type of Assignment:

In-class Exercise

Homework Assignment

Assignment Length:

One-Two Class Periods

Multiple Class Periods

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Genre

Imagery

Pedagogical Goals - Writing:

Style

Thesis Statements

Media Requirements:

Adaptable For Use Without Classroom Technology

Timeline for Optimal Use:

Mid-Semester

Full Assignment Description:

This assignment has students evaluate a product advertisement using rhetorical analysis, construct working definitions of satire and parody, and experiement with writing and analyzing satires for their chosen ads. Ideally, these steps will help students solidify an understanding of ethos, logos and pathos, as well as attend to the wide range of genres using rhetoric to make arguments. The creative wring required introduces an engaging hook to keep students interested in the analytical process, and evaluating the success of their own satires helps them develop close-reading and peer-review skills.

They will first individually locate an ad (static image, audio or visual commercials, textual). If you have a technology-based classroom, you can have students conduct this step in class. If not, ask them to locate an ad ad bring in a copy or a detailed description of the video/ audio stream for homework. After finding an ad, students will write up an evaluation its use of ethos, logos, and pathos in relation to its goals and its target audience. This should take up one class period.

Next, discuss parody and satire with your students. I showed a makeup commercial followed by a commercial parody. We discussed how each used ethos, logos, and pathos to achieve its distinct goals and to relate to its target audience.

Next, ask students to type up or construct a visual parody of their selected ad. Since students can get overenthusiastic about using visual software, I asked them to use only thirty minutes of class time to accomplish this goal instead of assigning it for homework, but it could easily be achieved on their own.

Finally, have students trade parodies and evaluate the use of ethos, logos and pathos in their classmate's parody. Have them construct a brief thesis statement about whether or not the use of rhetoric accomplished the satire's goal in relation to the target audience.

Suggestions for Instructor Preparation:

Decide which steps should be conduct inside and outside of class. I had my students perform each step in class because I was in a technology-based classroom, but asking them to bring in ads for homework would enable students to explore print materials as well as web sources. I also had my students develop their creative satire projects in class, but this could easily be accomplished at home.

Instructions For Students:

Before this assignment, students should be familiar with rhetorical analysis, have been introduced to ethos, logos, and pathos, and have a working understanding of how to construct a thesis based on source goals and audience. This assignment can be stretched out for multiple class periods depending on how much outside work you ask them to bring to class.

1) Have students locate or bring to class an advertisement.

2) Ask students to list incidents of the use of ethos, logos and pathos in the ad, then construct a thesis: Does the ad successfully accomplish its goals in relation to its audience using rhetoric? Why or why not?

3) For the next class, introduce students to satire and parody. I showed several videos to familiarize my students with the concept, but there are many sources of satire that could be used. As a group, discuss how your chose satire uses rhetoric to influence its audience and accomplish its goals.

4) Either as homework or in class, have your students construct a parody of their chosen ad. I gave my students the option to draw their parody by hand or pull images from Flickr and doctor them in Photoshop.

5) Finally, have the students exhange parodies and perform a rhetorical analysis of their classmate's work. Ask volunteers to share parodies and evaluations.

Course Description:

I used this assignment in Rhetoric 306, an introduction to rhetoric course.

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