DWRL Lesson Plans - Historical Context

Preferably a computer for each student group. However, if students bring in tablets or laptops, this lesson plan could be adapted to classrooms without computers for each student.

Timeline for Optimal Use:

Mid-Semester

Full Assignment Description:

Recently, the 1491s appeared on Jon Stewart's The Daily Show to address the controversy over the name of the Washington football team. I have based this lesson plan on the assumption that students perhaps saw The Daily Show episode, but probably do not know who the 1491s are. I want to use this assignment to introduce them to the 1491s and to rhetorical analysis at the same time. After reviewing the chapter on rhetorical analysis and upcoming assignments, I would have the students watch the 1491s' "I'm an Indian Too" on youtube. As a class, we would discuss questions about speaker, audience, situation, and argument. For example, who is the audience for this youtube video? Are they explicit or implicit? Who are the speakers in this video (which doesn't have any obvious speakers, aside from the singer). Next, I would have them get into groups and watch the 1491s' "Lincoln Was a Douche" youtube video. Then, in their groups, I would have them answer the questions on the 1491s worksheet about audience, speaker and text. After they've completed that task, we would discuss their groups' answers. Then I would ask them to think about how researching the 1491s and the historical context of Lincoln's hanging of the Indians would change how they view the video. They would then get on their individual computers and try looking for contextual, historical and biographical information about the 1491s and the historical event they reference in the "Lincoln Was a Douche" video. After giving them some time to research, we would discuss as a class their findings.

Suggestions for Instructor Preparation:

Familiarize yourself with the 1491s through their youtube channel and appearance on The Daily Show. Also review questions about audience, speaker, and text.

Instructions For Students:

Once you have watched the 1491s' "I'm an Indian Too" on youtube as a class, engage in a discussion about the speaker, audience, situation, and the text's argument. Next, get into groups to watch the 1491s' "Lincoln Was a Douche" and answer the questions on the worksheet about audience, speaker, and text. Finally, get on computers, and try looking for contextual and biographical information about the 1491s.

Evaluation Suggestions:

Go around to the different groups and check in during the group work about how they're doing and if they're understanding the breakdown of rhetorical analysis. When the students are working individually researching on the computers, again go around the class checking in with the students and suggesting key terms to look up about the 1491s and the hanging.

Notes on Reception, Execution, etc.:

I think the students were challenged by the 1491s, but in a productive way. Thinking about the audience, speaker and text and possible arguments the 1491s might have been making with these videos led to interesting discussions about representations of Native Americans in the media.

Additional Resources:

The 1491s: “Lincoln Was a Douche” Exercise

After watching the 1491s’ sketch “Lincoln Was a Douche,” answer the following questions in your group about speaker, audience, situation and text.

Who is the speaker?

Is it a single person? A company? An ad firm?

Is there a difference between the “ostensible” speaker, the “real” speaker, and the “implied” speaker?

Who is the audience?

Is it implicit? Explicit? Ideal? Real?

What values does this audience have?

What concerns them?

What is the situation?

What contextual evidence? In which venue does this source appear?

What is the history behind this text?

What is the exigency?

What is the text arguing?

The text argues that____________________________________________.

Is this argument implicit or explicit?

What reasons does the author give for this argument?

What evidence does the author provide in support of this argument?

Course Type:

Introductory Writing Course

Course Description:

This lesson plan was designed for a Rhetoric 306 course.

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Reading Text in Context

Laura Thain — Tue, 10 Dec 2013 06:00:42 +0000

Author:

Laura Thain

Image Credit:

NY Times

Brief Assignment Overview:

This in-class exercise encourages students to explore context for texts they are analyzing (rather than receiving such context from direct instruction) and then use visualization software in order to present their findings to their classmates.

Type of Assignment:

In-class Exercise

Assignment Length:

Single Class Period

Pedagogical Goals - Rhetoric:

Arrangement

Audience

Delivery

Pedagogical Goals - Literature:

Cultural Context

Genre

Historical Context

Pedagogical Goals - Writing:

Pre-Writing

Research

Pedagogical Goals - Digital Literacy:

Additional Pedagogical Goals:

This exercise aims to empower students to define textual context that seems important to them at any stage of their encounter with a text.

Media Requirements:

Adaptable For Use Without Classroom Technology

Technology-Based Classroom (computers for each student)

Required Materials:

Students need to have at least briefly encountered the textual object they are trying to contextualize. I usually conduct this exercise after their first section of reading.

Timeline for Optimal Use:

Mid-Semester

Late in the Semester

Full Assignment Description:

The purpose of this exercise is to empower student to explore useful historial context by giving them clear guidelines by which to conduct preliminary research and to introduce visualization tools to implement in presenting that research to their peers. This exercise works best if the instructor has already provided context for class readings on several occassions, giving students an idea of what such a presentation looks like.

I begin by passing out a handout that describes different types of context that students may explore. I then randomly assign students to one of five groups in order to explore and assemble that context into a presentation. Pasted below is a version of this context handout created for Ian Fleming's From Russia With Love:

Context-Building Exercise

GROUP 1 Historical Context

As a group, situate From Russia With Love (1957) within its historical context. What is important to our reading of the novel in the world of politics, science, culture, social movements, or national identity? Is gender important? Is race important? Is sexuality important?

You may use dipity (www.dipity.com) to make a historical timeline that includes pictures or other visuals to present to the class.

Useful Resources: Gale Virtual Reference Library, Wikipedia, scholarly websites/blogs

GROUP 2 Genre/History of Genre

The Bond canon belongs to the genre of the spy novel—but also, arguably, to the history of pulp fiction, thrillers, and adventure novels. How do you see this novel fitting into a genre history?

Useful Resources: Wikipedia, Gale Virtual Reference Library, Johns Hopkins Guide to Lit Theory and Criticism (http://litguide.press.jhu.edu/cgi-bin/search.cgi), scholarly websites/blogs

GROUP 3 Adaptations

The Bond canon has been adapted into many media, including radio, television, film, and comic books. Explore different adaptations of From Russia with Love or other Bond novels and report to the class your findings.

Useful Resources: Wikipedia, YouTube, Google

GROUP 4 Consumer Culture

James Bond is a popular character in consumer culture (that is, culture revolving around things we buy). From video games to artwork to memorabilia, Bond is alive and well in the marketplace. Find objects of consumer culture throughout the history of Fleming’s novels to present to the class, especially objects related to From Russia With Love.

Useful resources:

Google image search, Ebay, Amazon, Etsy

GROUP 5 Reception and Publication History

How was From Russia With Love received? Did it remain in print? How do different printings differ (for instance, how does the cover art change)? Did audience attitudes toward the novel change over time? Find some original reviews and later commentary that tells you something about the reception history of the text.

Useful Resources: Use the Newspaper/Reviews tab here to find original reviews: http://www.lib.utexas.edu/subject/english/index.html

Amazon, Google, Goodreads

I then briefly present Dipity and Prezi to the class and encourage them to use these tools to create an informal presentation in the latter half of class. I also suggeted that Google Docs might be a useful tool in collaborating on the materials they researched to better ease the translation of that material into a final product. I then divide them into five groups--with a full class, this means three or four students per group. Be sure to instruct the class on how long you will give them to complete their presentation and give warnings as that time elapses. Our class is 70 minutes, and so I allowed 35 minute for assembly and 35 minutes for presentations.

In a shorter class, you may ask students to prepare presentations in class one day and present them during the next class period. In a classroom where each student does not have a lab computer, you may ask them to bring their own laptops or give this assignment out in advance, asking students to compile their materials as homework (over Google Docs and/or Prezi, a web-based collaborative presentation software) and present them to each other in class.

As they worked on their presentations, I walked around and checked their progress, answering questions or offering suggestions. When 35 minutes elapsed, I invited groups to the main proctoring station to access their projects and present them to their classmates.

Suggestions for Instructor Preparation:

You may want to have some materials ready to suggest for each category in case your students get stuck--but letting students express their own contextual interests in their presentation is crucial to this exercise.

Instructions For Students:

Students need only be familiar with the text they are contextualizing, although you might ask students to familiarize themselves with the visualization softwares above before class.

Evaluation Suggestions:

Because empowering student research and presentation is central to this exercise, be cautious to criticize what students find; rather, praising innovative or clearly relevant material helps demonstrate to them that the details they present are appropriate.

Notes on Reception, Execution, etc.:

If students feel rushed, emphasize that the exercise is informal and encourage quality collaboration over quantity of information.

Course Type:

Literary Studies Course

Course Description:

I teach a ninety-minute class period of Literature and Popular culture, which is a varient of Literature Across the Disciplines (E314J). The course seeks to explore the intersections of literature and popular culture from the point of view of mass readership and other forms of mass media. The course requires students to consider mediation through the lens of culture, history, and media theory as they engage in close reading and analysis.

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Rap Genius Close Reading Exercise

Uzendoski — Sat, 28 Sep 2013 21:52:58 +0000

Author:

Andrew Uzendoski

Image Credit:

2013 Genius Media Group

http://poetry.rapgenius.com/F-scott-fitzgerald-the-great-gatsby-chapter-...

Brief Assignment Overview:

This close reading assignment uses “Rap Genius”, an Internet annotation website, to connect each student with multiple audiences while also creating a forum where the entire class can pool their knowledge together in order to better analyze and understand the work of a specific author.

Type of Assignment:

Class Discussion

In-class Exercise

Assignment Length:

One-Two Class Periods

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Annotation

Style

Word Choice

Pedagogical Goals - Digital Literacy:

Web Design

Media Requirements:

Technology-Based Classroom (computers for each student)

Required Materials:

A computer for each small group, ideally for each student in the group. A media consolae/projeftor for the small groups to present their completed annotation project.

Timeline for Optimal Use:

Mid-Semester

Full Assignment Description:

In this assignment, students practice their close reading skills in small groups of three or four students. Each group is given a different poem or a short story by the same author. While discussing the text together, they must identify and analyze important passages or lines. After their discussion, they will annotate a copy of their text—a copy which has previously been posted by the teacher on the Rap Genius website—using the analysis they produced in their small group.

When each group has completed their annotation of their text, the class will reconvene as a whole to share their close readings. Each group shares their analysis of the text using their annotated copy on the Rap Genius website. After each group’s presentation, there should be an opportunity for anyone in the class to add an annotation to the poem or short story. Because the same author wrote each text analyzed by the small groups, the students should better be able to use their knowledge of the author’s style, biography or evolution as a writer to expand on the original analysis of the poem or short story.

This assignment provides the students with multiple audiences—the individual members of their small group, the class at large, and the Rap Genius online community. It also encourages the students to learn from each other. The exercise offers multiple points where class participation shapes the analysis of the text, and the diverse readings of different texts by the same author are able to inform each group’s close analysis as well as the larger appreciation of the author’s body of work.

Suggestions for Instructor Preparation:

This assignment works best after the fundamentals of close reading have been established in the class. Ideally, the teacher will have first modeled the close reading of a passage from a poem or short story, as then lead a collaborative close reading with the class of another text. Once the teacher is confidant the class can lead their own close readings, he or she can use this assignment as a platform for allowing the students to execute a close reading without the direct guidance of a teacher.

Please note that this assignment requires the instructor to upload each text that the students will analyze to Rap Genius prior to the closer reading exercise. It is easy to post a text; there are detailed instructions on the website and it requires you to paste a copy of the text onto the website. (And if there are any questions, do not hesitate in asking Jeremy Dean, the head of “Education Genius Department” for Rap Genius and a University of Texas alum! His contact info is Jeremy@rapgenius.com)

Instructions For Students:

1. Each group of students (3-4) will be handed a different text, either a poem or short story, written by the same author. (Note: This can either be done at the beginning of class if it is a short text, or before the beginning of class if it is a longer text.)

2. Each group will discuss the text and identify important passages (Usually 6 – 8).

3. Each group will then analyze these passages, providing insight on the style, historical context or thematic value of the passage. Each analysis should be 1 – 4 sentences long. This analysis can either be done on paper or on a computer, but if it is done on a computer it will be easier for the students to copy the analysis and paste it in their annotation.

4. Each student will make an account on Rap Genius (rapgenius.com), which will allow them to annotate texts on the website. An email, a username and a password are all that are needed for an account.

5. Each group will then find their text on the Rap Genius database.

6. Once the text is found, they should add their analysis of each passage as online annotations to the text

a. To add an annotation:

i. Highlight the passage you wish to annotate

ii. An option “Annotate” will appear. Click this button.

iii. Add analysis to the text box.

7. When the group's annotations are complete, all of the small groups should reconvene as a whole class.

8. Each group can now present their analysis of their text, going through each annotation and explaining the importance of each passage.

a. For example:

i. How does each of their annotations analyze the author’s use of rhetorical style?

ii. What are the central symbols or themes present in the selected passage?

iii. What historical context did the group add in their annotation to help the reader better understand the passage?

iv. What biographical details from the Author’s life or career might help deepen our understanding of the passage?

9. After each group finishes the presentation of their analysis, allows other students in the class the opportunity to amend or add to any of the annotations.

Evaluation Suggestions:

This exercise is perhaps best assessed as component of the student’s participation grade. A specific number of annotations should be required form each group (6-8 usually works well). Their presentations should also be clear.

However, the Rap Genius annotation platform could be used in a version of this assignment that is completed by each individual student, and not as a small group exercise. Or the teacher could add an annotation component to a student’s essay on the close reading of a passage; the student could have to submit both a short essay and export a certain number of annotations from his essay onto the Rap Genius website.

Notes on Reception, Execution, etc.:

Students generally reacted well to this assignment, especially to the fact that their final analysis was posted on Rap Genius, available to anyone on the Internet. It was also a good way to incorporate the computer classroom into a English literature class. Furthermore, some students continued to annotate other texts on the Rap Genius website after the exercise was completed, as Rap Genius is continuing to expand their inclusion of literary texts. A few students were especially interested in annotating texts from the extensive list of Rap, Indie Rock and Pop songs on the website.

Course Type:

Advanced Writing Course

Intermediate Writing Course

Course Description:

This assignment is designed for an English Literature course with access to a computer lab. It has been used effectively in Ethnic American literature classes, where it is important to consider both literary style and historical context when close reading passages. The assignment is also good for analyzing poems that are influenced by historical events, where the students can identify in selected passages how authors directly engage political and cultural touchstones from their respective eras. The exercise is also designed for class with 25 or less students.

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Exploring 18th-19th Century Crime Broadsides Online

coulson — Sun, 15 Apr 2012 14:09:22 +0000

Author:

Doug Coulson

Image Credit:

Harvard Law School Library

Brief Assignment Overview:

As a conclusion to an online research workshop, students explore the rhetoric of 18th-19th century crime broadsides from the Harvard Law School Library's online collection of crime broadsides.

Type of Assignment:

Assignment Length:

One-Two Class Periods

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Historical Context

Pedagogical Goals - Writing:

Research

Additional Pedagogical Goals:

The goals of the assignment are to further a discussion of the symbolic aspects of legal rhetoric, or how legal rhetoric operates not only to decide the outcomes of legal cases but to shape communal values and norms, by having students conduct an in-class rhetorical analysis of texts and images describing crimes and the apprehension of criminals during the 18th-19th century when such information was widely disseminated in broadsides and public discourse regarding the investigation of crimes common. The assignment is also designed to facilitate the teaching of online research and communication techniques and to generate engaging class discussion.

Media Requirements:

Technology-Based Classroom (computers for each student)

Required Materials:

In-class computers with internet access and a course blog.

Timeline for Optimal Use:

Useful Anytime

Full Assignment Description:

As a conclusion to an online research workshop, students explore the rhetoric of 18th-19th century crime broadsides from the Harvard Law School Library's online collection of crime broadsides.

Suggestions for Instructor Preparation:

Previous discussion of legal rhetoric should have covered the symbolic aspects of legal rhetoric, or how legal rhetoric operates not only to decide the outcomes of legal cases but to shape communal values and norms.

To begin the assignment, introduce students to the Harvard Law School Library's online collection of crime broadsides. With students at their computers, demonstrate the site's search features and discuss a couple of sample broadsides as a tutorial of the site.

Inform students that their task is to isolate and analyze the ways in which norms and identity are rhetorically constructed in one of the broadsides from the site. (Alternatively, students could be instructed to isolate multiple broadsides to compare and contrast.) The remainder of the class is devoted to students conducting their own research and posting their broadsides along with a brief rhetorical analysis to the course blog. The blog posts may then be discussed collectively as a class with or without requesting individual students to present on their broadsides and analysis. The assignment may be completed in a single class period or span two class periods, depending on the details of the assignment.

Instructions For Students:

In furtherance of our discussion of the symbolic aspects of legal rhetoric, or how legal rhetoric operates not only to decide the outcomes of legal cases but to shape communal values and norms, you will isolate and analyze the ways in which norms and identity are rhetorically constructed in one [or more] of the crime broadsides from the Harvard Law School Library's online collection of crime broadsides. Your task is to identify a broadside that reflects a particularly interesting example of a rhetoric of identity and post the broadside with a brief rhetorical analysis to the course blog. At the conclusion of the assignment, we will discuss your collective findings and analyses.

Evaluation Suggestions:

I've never graded this assignment. It's primarily designed to engage students in questions considered during the course and facilitate class discussion.

Notes on Reception, Execution, etc.:

I've used this lesson plan with two classes and both found the broadsides and their rhetoric fascinating and enjoyed the assignment. Their contributions were often very engaged and insightful.

Course Type:

Advanced Writing Course

Course Description:

In his book On the Contrary, rhetoric scholar Thomas Sloane writes, ”Rhetorical thought is—let us admit it—highly perverse and lawyerly in nature.” In this statement, Sloane not only alludes to the closely intertwined history of rhetoric and law from the earliest days of Western thought to the modern era, but highlights their shared promotion of an agonistic “art of controversy” which seeks to facilitate controversy through the practice of arguing both sides of a case, a practice classical rhetoricians called in utramque partem (“on either side”). The principal theorists of classical Greek and Roman rhetoric promoted agonistic contests in which speakers argued opposite sides of disputed issues, often with specifically judicial contexts in mind, and the American legal system’s adversarial system of justice is founded on a contest of accusation and defense between parties in which each seeks to persuade a judge or jury of disputed issues of fact and law on opposite sides of a case.

Despite the close relationship between rhetoric and law, however, and the fact that the lawyer remains, in the words of legal scholar James Boyd White, “the modern rhetorician in its purest form,” the modern professionalization of law has frequently attempted to deny or repress the rhetorical aspects of legal discourse and the agonistic conflict on which the adversarial system of justice is founded. Instead, modern law has promoted a view of legal discourse as a value-neutral “science” based on logical deduction and immune to social and political influence. This paradoxical relationship between law and rhetoric in modern legal discourse has produced a recent revival of questions about modern law’s denial of rhetoric, including important questions about the role of character and emotion in legal argument, the role of narrative in the analysis of legal evidence, the effect of the adversarial system of justice on social cohesion and division, and the relationship of legal rhetoric to democracy, coercion, and violence.

In this course, we will study these questions by first examining the forms of argument used in the legal profession today, focusing on arguments regarding the interpretation of circumstantial evidence in legal cases and the analogical, or case-based, form of legal argument known as “legal reasoning” which is used to argue for or against the application of judicial precedent to new cases. Specifically, we will study arguments regarding the evidence in controversial trials such as the 1935 Richard Hauptmann (“Lindbergh Kidnapping”) trial, the 1982 Lindy Chamberlain (“Dingo”) trial, and the 1992 Randy Weaver (“Ruby Ridge”) trial, as well as arguments and judicial opinions in U.S. Supreme Court cases regarding the minimum standards of effective legal advocacy found in the Sixth Amendment’s right to assistance of counsel. After examining the forms and purposes of legal rhetoric as it is actually employed in the legal profession, we will then consider contemporary critiques of the adversary system and the agonistic rhetoric on which it depends, including critiques implicit in public perceptions of the legal system and cultural representations of lawyers.

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