DWRL Lesson Plans - Genre

Assignment Length:

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Pedagogical Goals - Digital Literacy:

Multimedia

Remix

Media Requirements:

Timeline for Optimal Use:

Intermediate Writing Course

Full Assignment Description:

This assignment is meant to be a fun activity that allows students to exercise their creative muscles, while simultaneously demonstrating the possibilities of revising style for different audiences. The lesson plan in adopted from Raymond Queneau's Exercises in Style (first published in English 1958). In this book, Queneau writes a single (2 page) short story, in which a narrator sees an argument on a bus, and then later recognizes one of the men on the street due to his strange hat. Queaneu then rewrites the story 99 different ways--for example, he rewrites the book as a sonnet, in slang, using exclamation points in every sentence, and even grouping words by the number of letters they contain.

I use this assignment immediately after students submit the first draft of their second essay, giving students the opportunity to either complete it in class, or work on it for credit over the next week. Students select what they believe to be their weakest paragraph from the essay they just submitted. How they evaluate the term "weakest" is up to them--all I ask is that it is a paragraph that they would genuinely like to rework and to which they would like to pay closer attention. After having students answer questions about why they would like to revise that paragraph, I turn them loose on revisions. Typically I provide a copy of Exercises in Style for reference, but some sample exercises I suggest are:

Translate the paragraph to another language, and then back to English (either on your own or through Google Translate)
Rewrite the paragraph as a tweet with 140 character limit (include mentions and hashtags if possible)
Create lists of parts of speech, and place each word under the correct category
Record yourself reading the paragraph outloud, and set it to music or remix it
Rewrite the paragraph as an internet meme

After rewriting the paragraph five times, students are asked to respond to a few questions reflecting on the process, before revising the paragraph for the next draft. The reflective questions ask them to consider their own writing voices and styles. The assignment is graded as complete/incomplete--students that actively participate in the assignment and satisfactorily meet the requirements get credit for attending class, those that do not meet the requirements are marked absent for the day.

Suggestions for Instructor Preparation:

I suggest skimming Exercises in Style in order to familiarize yourself with some potential options with students. PDFs of the first few story permutations are easily found through Google, and most University libraries should have a copy (the most recent edition is published by New Directions, and translated by Barbara Wright). Creating your own list of suggested processes is useful as well--students might be paralyzed by the "anything goes" aspect of the assignment, and creating a list of suggestions helps them get started.

Instructions For Students:

Reflect carefully on the essay that you just submitted, and choose the paragraph that you believe was the weakest in the essay. In a few sentences, describe the specific reasons you felt this paragraph needed improvement. Did it not have enough quotes? Too many quotes? Was it too long or short? Did it feel repetitive? Out of place in the essay? Did you just plain run out of time to revise it?

Experiment with your paragraph by rewriting it five times in entirely different styles. You might choose a model for your style (a favorite book, movie, song, etc.). Rewrite it as a poem. As a speech. Or you might choose a constraint a la Raymond Queneau's Exercises in Style. This is your chance to be creative and stretch your wings. The sky is the limit on this assignment.

Once you have rewritten the paragraph in five different ways, reread them all. Which was your favorite, and why? Was it just the style that made the paragraph your favorite? Or did you substantively change your paragraph's content as well? Now, answer the hardest question of all: Why don't you always write in this style? Is it the demands of the formal academic context? Or had you just not considered it at all? Do you think this style can be assimilated to your own voice when writing papers?

Now that you've had a little fun, and really atomized how the paragraph is put together, revise it in a way that you would like it to appear in your revised. And remember: sometimes the only way to improve a draft is by playing around and experimenting with it.

In order to be considered complete, the following must be submitted in a single document:

The original paragraph from your essay
A reflection on why or how it needs improvement (minimum 1 paragraph)
FIVE rewrites, with an indication of the rewrite's style
A reflection on the experiment process, answering the questions in the third paragraph of the assignment instructions
A fully revised paragraph for the next essay

If you rewrite a paragraph in a non-text format, include links to the material, or email it to me separately.

Evaluation Suggestions:

The key to this assignment is effort, so I suggest a simple complete/incomplete grading rubric. Numerical or letter grades might discourage students' creativity or invention--the use of which are not always highlighted in introductory composition classrooms, but which are critical for high levels of writing.

Notes on Reception, Execution, etc.:

This was an especially successful assignment in my class. Students responded positively, and they especially enjoyed the ability to follow their own interests. Some asked me about whether or not they could use curse words--I encouraged it as long as it was relevant to the style of their rewrite. The assignment was completed by all students within a 75 minute class period (with computers available in the room).

Additional Resources:

The Wikipedia article on Exercises in Style, which includes a list of all styles used in the book.

Course Type:

Advanced Writing Course

Tags:

Bridging Summary and Analysis with Standup Clips

Plourde — Thu, 19 Feb 2015 18:51:20 +0000

Author:

Aubrey Plourde

Image Credit:

Image Credit: Cory Schmitz

Brief Assignment Overview:

This assignment uses clips from standup comedy specials to hone student skills of summary and synethesis, for the controversy map essay assignment. It can also function as a precursor to Unit 2, Rhetorical Analysis. At this point, they have gathered data on the contexts of their controversy, and performed two summaries of viewpoints. They are currently writing their controversy maps, which require them to demonstrate that they can identify and incorporate a speaker's major claims and supporting statements. This summary exercise is meant to help students practice those skills and to introduce rhetorical analysis.

Type of Assignment:

Assignment Length:

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Writing Process

Additional Pedagogical Goals:

This class activity came out of several grading sessions, wherein I realized my students were having a hard time subordinating an author's points during a summary. They seemed to give each of the author's statements equal weight, without differentiating between which ideas were primary and which were more supporting details. So while this activity is meant to reinforce the skills of summary and syntehsis, it's foremost an thought-exercise, which I hoped would help them give themselves permission to fairly emphasize certain statements over others.

Media Requirements:

Required Materials:

This activity will go more smoothly if each student can efficiently take notes. I allow them to take digital notes on a laptop or tablet, but this isn't strictly necessary. The project does require that the instructor have a media console and projector.

Timeline for Optimal Use:

Full Assignment Description:

Ask students to sit in groups of three. These groups will be informal, and they shouldn't get too hung up on them. Most of their work will be individual, but asking them to share with a tiny group before discussing with the entire class can make them feel more confident.

Screen a clip from a popular comedian's standup special. I chose Louis CK, Aziz Ansari, and Bill Burr, to get a range of comedic styles. Each clip should last no more than 3-4 minutes, although the length will of course be based on the amount of time devoted to a single topic within the special. I also chose clips that I felt addressed primary controversies circulating in the news, and ones I felt my students would probably be familiar with.

Ask students to take notes on the clip and to identify the comedian's main point. Then ask them to fill in the supporting details.

Students should share their breakdown of the clip with their miniature group.

Once they have had a chance to discuss (this should only take two minutes or so), get a class consensus about what the comedian is "really" talking about, and what lines are there for effect or support. This is an opportunity to point out which points may seem like they're geting a lot of focus but are actually in the clip for a laugh or for emphasis.

Students should be able to summarize the clip in one statement. Encourage them to write an informal thesis as a class. For example, "In this bit, Aziz Ansari pokes fun at gender conventions by highlighting the arbitrariness of marriage rituals." This statement bridges a summary understanding of the text and an introduction to basic analysis. The extent to which the dicussion veers toward how the comedian's performance and language are affecting the humor is flexible; depending on how far the instructor would like to introduce or foreshadow Unit 2, this activity could stick to summary, or it could invite students to begin considering ethos, logos, pathos, and so on.

Repeat the exercise two or three times, time permitting, and debrief with students. They should feel more confident identifying primary and secondary points, especially with such a flexible genre.

Suggestions for Instructor Preparation:

I recommend converting the YouTube videos to an MP4 file that can be embedded in a Prezi or PowerPoint. This avoids the mid-class confusion of watching ads, finding the right clips, and so on.

Instructions For Students:

1. Watch the following comedy clip.

2. Take notes on what is being said.

3. When the clip is finished, re-read your notes and organize the bit based on its primary argument and its supporting subpoints.

4. Discuss with your group: compare your own breakdown of the primary and secondary claims with the others. Be prepared to report your organization to the class.

Repeat with three different clips, time allowing.

Homework:

1. Find your own clip.

2. Take notes on the content and revise your notes into some kind of outline that separates the main ideas from the subpoints.

3. Write up a short paragraph summarizing and synthesizing the comedian's argument.

4. Post both the paragraph and a link to the clip on the Canvas discussion board.

Evaluation Suggestions:

I ask students to share their choice/phrasing of the comedian's main argument and subpoints with the class. This is an informal evaluation, but it allows me to both determine their comfort with pulling out the major threads of an argument and to encourage them to make those distinctions between which ideas are emphasized and which are supplemental.

I also ask students to do one more summary/synthesis on a Canvas discussion board. They find their own set of clips, summarize them and synthesize their relationship to one another, and post their writing with the clip link on Canvas. I grade it for completion, but it can be a good, efficient way to guage whether students can differentiate between main ideas and subpoints.

Notes on Reception, Execution, etc.:

My PowerPoint didn't actually work, but I did have the separate downloaded clips, so it went relatively smoothly. Despite the technical glitch, I got a lot of positive feedback on this assignment. I think my students liked the project simply for content--it made a nice vacation from reading arguments about marijuana legalization--but they did also seemed to really enjoy applying their summary skills to less-conventional media. After we discussed the major/minor points, they enjoyed very briefly discussing how the rhetorical turns worked, which was what made me think this assignment worked well as a pseudo-bridge between Unit 1 (research/summary) and Unit 2 (analysis).

Course Type:

Course Description:

Rhetoric 306 is a course designed to introduce students to the fundamentals of research and argumentation. They are asked to research a controversy, summarize and analyze the arguments of the major stakeholders in that controversy, and then develop their own arguments.

Tags:

Performance

Bridging Summary and Analysis with Standup Clips

Plourde — Thu, 19 Feb 2015 18:51:15 +0000

Author:

Aubrey Plourde

Image Credit:

Image Credit: Cory Schmitz

Brief Assignment Overview:

Type of Assignment:

Assignment Length:

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Writing Process

Additional Pedagogical Goals:

Media Requirements:

Required Materials:

Timeline for Optimal Use:

Full Assignment Description:

Ask students to take notes on the clip and to identify the comedian's main point. Then ask them to fill in the supporting details.

Students should share their breakdown of the clip with their miniature group.

Repeat the exercise two or three times, time permitting, and debrief with students. They should feel more confident identifying primary and secondary points, especially with such a flexible genre.

Suggestions for Instructor Preparation:

I recommend converting the YouTube videos to an MP4 file that can be embedded in a Prezi or PowerPoint. This avoids the mid-class confusion of watching ads, finding the right clips, and so on.

Instructions For Students:

1. Watch the following comedy clip.

2. Take notes on what is being said.

3. When the clip is finished, re-read your notes and organize the bit based on its primary argument and its supporting subpoints.

4. Discuss with your group: compare your own breakdown of the primary and secondary claims with the others. Be prepared to report your organization to the class.

Repeat with three different clips, time allowing.

Homework:

1. Find your own clip.

2. Take notes on the content and revise your notes into some kind of outline that separates the main ideas from the subpoints.

3. Write up a short paragraph summarizing and synthesizing the comedian's argument.

4. Post both the paragraph and a link to the clip on the Canvas discussion board.

Evaluation Suggestions:

Notes on Reception, Execution, etc.:

Course Type:

Course Description:

Tags:

Performance

Using Comment Walls to Practice Rebuttal

Sloan — Fri, 18 Apr 2014 16:11:14 +0000

Author:

Casey Sloan

Image Credit:

Pixabay

Brief Assignment Overview:

This assignment asks students to think through the rhetorical practice of contributing to a discussion on a website's comment wall. After finding a video on YouTube, a blog entry, or an opinion article on an online news source, students will read through the comments section, locate effective and ineffective comments, and ultimately draft a possible contribution to the wall based on their understanding of any manifested disagreements. This exercise will highlight the importance of refutation, concession and rebuttal.

Type of Assignment:

Assignment Length:

Pedagogical Goals - Rhetoric:

Rebuttal

Stasis

Style

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Pedagogical Goals - Digital Literacy:

Social Media

Media Requirements:

Timeline for Optimal Use:

Late in the Semester

Full Assignment Description:

Students will be asked to think critically about ways to effectively make an argument in a small amount of space, the "venue" of forum comment walls, the genre of the comment post, and the importance of fair, balanced rebuttals. This exercise also helps students understand the impace that rhetorical skills can have in real-world situation. Students will find an online argument that takes a position in their controversy (YouTube videos work well here), read through the comments section, identify a disagreement, evaluate various users' use of rebuttal, and, ultimately, insert theirown opinion. This assignment works in-class for rooms with computers with internet access. It can also be assigned as homework.

Before this lesson, define refutation, concession, and rebuttal for your students. Ask students to surf the web (a simple Google search worked well for my class) for a position within their controversy. Ask them to examine the argument, then read through the comments section. Ask them to find some examples of effective and ineffective responses to the argument. Ask them to think about why particular comments are convincing and why others are not. Are some responses simply offensive? Do they give faulty evidence? Do they give a fair summary of the argument or misrepresent it?

After your students have looking through the comment walls, have them report to the class or to small groups on their findings. The ensuing discussion should solidify the importance of a fair summary, concession, and refutation.

Ultimately, ask them to write less than 100 words offering a rebuttal to either the argument or to a comment they found particularly intriguing. Instruct them to focus on fairly representing their opponent's position and finding common ground before persuasively using refutation.

Suggestions for Instructor Preparation:

This assignment requires computers with internet access. Decide beforehand whether this assignment will be performed in-class or as homework.

Instructions For Students:

Before this assignment, students should be introduced to the concepts of refutation, concession, and rebuttal. This is a great way to emphasize the importance of brief, fair summaries and of finding common ground, or points of stasis, with opposing positions.

1) Locate an argument online that participates in your controversy. Try using some key words in the Google search engine. Make sure the blog post, opinion news article, YouTube video, etc. has a comments section that you can access. Read through the argument, then read through the comments wall. What do people disagree with in the article? Where are commenters disagreeing with each other?

2) Pick two comments that you think are particularly effective in convincing the reader. Pick two that are particularly ineffective. How do these comments differ from each other? Which comments fairly represent the main argument? Which comments use concession? Which comments use refutation? How does each comment go about rebutting the main argument (or another comment)? Do any of the comments make faulty claims?

3) Write up your own comment that will contribute to the conversation on this forum. It must rebut either the main argument or another comment on the wall. Your rebuttal must be less than 100 words, offer a fair summary of your oppositon's position, and offer some point of concession.

Course Type:

Course Description:

I used this lession in an introductory rhetoric course.

Tags:

Reading Text in Context

Laura Thain — Tue, 10 Dec 2013 06:00:42 +0000

Author:

Laura Thain

Image Credit:

NY Times

Brief Assignment Overview:

This in-class exercise encourages students to explore context for texts they are analyzing (rather than receiving such context from direct instruction) and then use visualization software in order to present their findings to their classmates.

Type of Assignment:

Assignment Length:

Pedagogical Goals - Rhetoric:

Arrangement

Audience

Delivery

Pedagogical Goals - Literature:

Cultural Context

Genre

Historical Context

Pedagogical Goals - Writing:

Pre-Writing

Research

Pedagogical Goals - Digital Literacy:

Additional Pedagogical Goals:

This exercise aims to empower students to define textual context that seems important to them at any stage of their encounter with a text.

Media Requirements:

Technology-Based Classroom (computers for each student)

Required Materials:

Students need to have at least briefly encountered the textual object they are trying to contextualize. I usually conduct this exercise after their first section of reading.

Timeline for Optimal Use:

Late in the Semester

Full Assignment Description:

The purpose of this exercise is to empower student to explore useful historial context by giving them clear guidelines by which to conduct preliminary research and to introduce visualization tools to implement in presenting that research to their peers. This exercise works best if the instructor has already provided context for class readings on several occassions, giving students an idea of what such a presentation looks like.

I begin by passing out a handout that describes different types of context that students may explore. I then randomly assign students to one of five groups in order to explore and assemble that context into a presentation. Pasted below is a version of this context handout created for Ian Fleming's From Russia With Love:

Context-Building Exercise

GROUP 1 Historical Context

As a group, situate From Russia With Love (1957) within its historical context. What is important to our reading of the novel in the world of politics, science, culture, social movements, or national identity? Is gender important? Is race important? Is sexuality important?

You may use dipity (www.dipity.com) to make a historical timeline that includes pictures or other visuals to present to the class.

Useful Resources: Gale Virtual Reference Library, Wikipedia, scholarly websites/blogs

GROUP 2 Genre/History of Genre

The Bond canon belongs to the genre of the spy novel—but also, arguably, to the history of pulp fiction, thrillers, and adventure novels. How do you see this novel fitting into a genre history?

Useful Resources: Wikipedia, Gale Virtual Reference Library, Johns Hopkins Guide to Lit Theory and Criticism (http://litguide.press.jhu.edu/cgi-bin/search.cgi), scholarly websites/blogs

GROUP 3 Adaptations

The Bond canon has been adapted into many media, including radio, television, film, and comic books. Explore different adaptations of From Russia with Love or other Bond novels and report to the class your findings.

Useful Resources: Wikipedia, YouTube, Google

GROUP 4 Consumer Culture

James Bond is a popular character in consumer culture (that is, culture revolving around things we buy). From video games to artwork to memorabilia, Bond is alive and well in the marketplace. Find objects of consumer culture throughout the history of Fleming’s novels to present to the class, especially objects related to From Russia With Love.

Useful resources:

Google image search, Ebay, Amazon, Etsy

GROUP 5 Reception and Publication History

How was From Russia With Love received? Did it remain in print? How do different printings differ (for instance, how does the cover art change)? Did audience attitudes toward the novel change over time? Find some original reviews and later commentary that tells you something about the reception history of the text.

Useful Resources: Use the Newspaper/Reviews tab here to find original reviews: http://www.lib.utexas.edu/subject/english/index.html

Amazon, Google, Goodreads

I then briefly present Dipity and Prezi to the class and encourage them to use these tools to create an informal presentation in the latter half of class. I also suggeted that Google Docs might be a useful tool in collaborating on the materials they researched to better ease the translation of that material into a final product. I then divide them into five groups--with a full class, this means three or four students per group. Be sure to instruct the class on how long you will give them to complete their presentation and give warnings as that time elapses. Our class is 70 minutes, and so I allowed 35 minute for assembly and 35 minutes for presentations.

In a shorter class, you may ask students to prepare presentations in class one day and present them during the next class period. In a classroom where each student does not have a lab computer, you may ask them to bring their own laptops or give this assignment out in advance, asking students to compile their materials as homework (over Google Docs and/or Prezi, a web-based collaborative presentation software) and present them to each other in class.

As they worked on their presentations, I walked around and checked their progress, answering questions or offering suggestions. When 35 minutes elapsed, I invited groups to the main proctoring station to access their projects and present them to their classmates.

Suggestions for Instructor Preparation:

You may want to have some materials ready to suggest for each category in case your students get stuck--but letting students express their own contextual interests in their presentation is crucial to this exercise.

Instructions For Students:

Students need only be familiar with the text they are contextualizing, although you might ask students to familiarize themselves with the visualization softwares above before class.

Evaluation Suggestions:

Because empowering student research and presentation is central to this exercise, be cautious to criticize what students find; rather, praising innovative or clearly relevant material helps demonstrate to them that the details they present are appropriate.

Notes on Reception, Execution, etc.:

If students feel rushed, emphasize that the exercise is informal and encourage quality collaboration over quantity of information.

Course Type:

Course Description:

I teach a ninety-minute class period of Literature and Popular culture, which is a varient of Literature Across the Disciplines (E314J). The course seeks to explore the intersections of literature and popular culture from the point of view of mass readership and other forms of mass media. The course requires students to consider mediation through the lens of culture, history, and media theory as they engage in close reading and analysis.

Tags:

Compiling Context with Digitized Periodicals

Coleman — Mon, 28 Oct 2013 01:29:53 +0000

Author:

Catherine Coleman

Image Credit:

Accessible Archives

Brief Assignment Overview:

Students examine and manipulate digitized page images in order to consider the presentation of serialized texts. “Compiling Context” is a versatile introduction to periodical print culture suitable for literature and rhetoric courses.

Type of Assignment:

Assignment Length:

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Pedagogical Goals - Digital Literacy:

Multimedia

Multimodal

Additional Pedagogical Goals:

Database and periodical research

Media Requirements:

Technology-Based Classroom (computers for each student)

Required Materials:

Digital access to periodical with original page images -- ideally with downloadable image files

USEFUL: A forum (e.g. a blog or wiki) where students post and comment on textual or visual compilations

Timeline for Optimal Use:

Useful Anytime

Full Assignment Description:

1. Access original page images of the source text. Library (subscription-based) newspaper databases often include original images, as do some free online services like Cornell's Making of America Collection.

2. Provide access to students by

a) downloading images of all or pertinent issues featuring the primary text (emphasizing the publication itself). High resolution images can be uploaded and selectively shared on Dropbox or Google Drive. The file viewer in Google Drive/Docs allows for high-resolution zoom while maintaining image quality and readability.

b) Create a guide for students to access issues (emphasizing research techniques). See 'Instructions for Students' below for a sample guide to accessing Uncle Tom's Cabin in the National Era through Accessible Archives. This can allow students to familiarize themselves with databases and practice the necessary steps for retrieving and saving page images.

3. Have students visually examine digital images of the issue(s) containing the source text. In engaging with the serialized version of the text they can be encouraged to

a) Consider relevant content published simultaneously with the primary text

b) Trace the evolution of political and social discourses across several issues or selected issues

4. Students then engage in the process of interpretive selection through either

a) Visual manipulation of the digitized source -- selection, cropping, digital mark-up, collage-making, etc.

AND/OR

b) Textual summary of the digitized source

5. Have students submit or post their compilations of context (image files, short write-up) -- ideally in a forum that allows commenting or other forms of feedback.

Suggestions for Instructor Preparation:

Secure access to page images in advance. You may wish to limit or direct the attention students devote to the original publication. You might

Limit students to front pages, especially if the primary text customarily appears on this page. This is the case with Uncle Tom's Cabin.
Have students access issues and then peruse textual (OCR) lists of content rather than page images
Have students select a topic ahead of time and run limited searches on the periodical to trace how discourse shifts across a broader range of issues

Instructions For Students:

I provided the following instructions for accessing Uncle Tom's Cabin in the National Era through the University of Texas at Austin's subscription to the "African American Newspapers: The 19th Century" series of the Accessible Archives primary-source database to students in my English 314L: Banned Books and Novel Ideas -- "Citizens and Censors" course:

1. Go to Google Drive where high quality jpeg images of the first ten installments of Uncle Tom’s Cabin are posted.

2. With a partner (where possible) note any significant headlines accompanying the installment you’re assigned.

3. If there are no significant headlines on the first page, or if you’d like more information:

a. navigate in a browser to http://lib.utexas.edu/

b. Click on the tab for ‘Databases’ and click the small link ‘Browse by type’ c. ‘Historical Newspapers’ > ‘African American Newspapers: The 19th Century’

d. On Accessible Archives, click the ‘Show more search boxes’ link.

i. ‘Stowe’ (AND) ‘Uncle Tom’s Cabin’

ii. Under Source, click and highlight ‘The National Era’

iii. 1851-06-01 to 1852-05-01

iv. Sort by Date

v. Scroll down to your installment date.

vi. Click on the installment or another article from your issue.

vii. Click ‘Issue Contents’ in the top menu

viii. Browse articles searching for anything relevant to Stowe’s novel.

Once students have access to issue images (and content lists, if need be) they can compile and present pertinent elements either visually using Photoshop and/or other image manipulation software to cut out specific articles or headlines. They may then unite these texts in the form of a collage or a written exposition interspersed with clippings from the digitized issue.

Evaluation Suggestions:

This assignment can be designed to target specific skills (research, visual manipulation and creation, etc).

Notes on Reception, Execution, etc.:

I would ideally preface this assignment with an Archive or Library day where students can at least see old periodicals and recognize how publication size/design standards have shifted over time.

Students were intrigued by the material elements of these publications (varying text sizes, different conceptions of "headlines" and emphasis, fading and blurring, markings suggesting provenence) even when they were only working with digitized images.

Course Type:

Intermediate Writing Course

Course Description:

E314L: Banned Books and Novel Ideas -- "Censors and Citizens"

Tags:

Database

Literary research

Evaluating Satire With Rhetorical Analysis

Sloan — Sun, 29 Sep 2013 17:20:25 +0000

Author:

Casey Sloan

Image Credit:

Tete-a-Tete provided by Lacy B Timeless via Flickr

Brief Assignment Overview:

This assignment asks students to locate a product ad on their computers, and evaluate its use of ethos, pathos, and logos given its goal and target audience. It then asks students to write or visually construct a brief parody of the advertisement, share it with the class, and explain their own use of ethos, pathos and logos in relation to their goal and audience.

Type of Assignment:

Assignment Length:

Multiple Class Periods

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Genre

Imagery

Pedagogical Goals - Writing:

Style

Thesis Statements

Media Requirements:

Timeline for Optimal Use:

http://poetry.rapgenius.com/F-scott-fitzgerald-the-great-gatsby-chapter-...

Full Assignment Description:

This assignment has students evaluate a product advertisement using rhetorical analysis, construct working definitions of satire and parody, and experiement with writing and analyzing satires for their chosen ads. Ideally, these steps will help students solidify an understanding of ethos, logos and pathos, as well as attend to the wide range of genres using rhetoric to make arguments. The creative wring required introduces an engaging hook to keep students interested in the analytical process, and evaluating the success of their own satires helps them develop close-reading and peer-review skills.

They will first individually locate an ad (static image, audio or visual commercials, textual). If you have a technology-based classroom, you can have students conduct this step in class. If not, ask them to locate an ad ad bring in a copy or a detailed description of the video/ audio stream for homework. After finding an ad, students will write up an evaluation its use of ethos, logos, and pathos in relation to its goals and its target audience. This should take up one class period.

Next, discuss parody and satire with your students. I showed a makeup commercial followed by a commercial parody. We discussed how each used ethos, logos, and pathos to achieve its distinct goals and to relate to its target audience.

Next, ask students to type up or construct a visual parody of their selected ad. Since students can get overenthusiastic about using visual software, I asked them to use only thirty minutes of class time to accomplish this goal instead of assigning it for homework, but it could easily be achieved on their own.

Finally, have students trade parodies and evaluate the use of ethos, logos and pathos in their classmate's parody. Have them construct a brief thesis statement about whether or not the use of rhetoric accomplished the satire's goal in relation to the target audience.

Suggestions for Instructor Preparation:

Decide which steps should be conduct inside and outside of class. I had my students perform each step in class because I was in a technology-based classroom, but asking them to bring in ads for homework would enable students to explore print materials as well as web sources. I also had my students develop their creative satire projects in class, but this could easily be accomplished at home.

Instructions For Students:

Before this assignment, students should be familiar with rhetorical analysis, have been introduced to ethos, logos, and pathos, and have a working understanding of how to construct a thesis based on source goals and audience. This assignment can be stretched out for multiple class periods depending on how much outside work you ask them to bring to class.

1) Have students locate or bring to class an advertisement.

2) Ask students to list incidents of the use of ethos, logos and pathos in the ad, then construct a thesis: Does the ad successfully accomplish its goals in relation to its audience using rhetoric? Why or why not?

3) For the next class, introduce students to satire and parody. I showed several videos to familiarize my students with the concept, but there are many sources of satire that could be used. As a group, discuss how your chose satire uses rhetoric to influence its audience and accomplish its goals.

4) Either as homework or in class, have your students construct a parody of their chosen ad. I gave my students the option to draw their parody by hand or pull images from Flickr and doctor them in Photoshop.

5) Finally, have the students exhange parodies and perform a rhetorical analysis of their classmate's work. Ask volunteers to share parodies and evaluations.

Course Description:

I used this assignment in Rhetoric 306, an introduction to rhetoric course.

Tags:

Rap Genius Close Reading Exercise

Uzendoski — Sat, 28 Sep 2013 21:52:58 +0000

Author:

Andrew Uzendoski

Image Credit:

2013 Genius Media Group

Brief Assignment Overview:

This close reading assignment uses “Rap Genius”, an Internet annotation website, to connect each student with multiple audiences while also creating a forum where the entire class can pool their knowledge together in order to better analyze and understand the work of a specific author.

Type of Assignment:

Class Discussion

Assignment Length:

Technology-Based Classroom (computers for each student)

Pedagogical Goals - Rhetoric:

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Annotation

Style

Word Choice

Pedagogical Goals - Digital Literacy:

Web Design

Media Requirements:

Required Materials:

A computer for each small group, ideally for each student in the group. A media consolae/projeftor for the small groups to present their completed annotation project.

Timeline for Optimal Use:

Intermediate Writing Course

Full Assignment Description:

In this assignment, students practice their close reading skills in small groups of three or four students. Each group is given a different poem or a short story by the same author. While discussing the text together, they must identify and analyze important passages or lines. After their discussion, they will annotate a copy of their text—a copy which has previously been posted by the teacher on the Rap Genius website—using the analysis they produced in their small group.

When each group has completed their annotation of their text, the class will reconvene as a whole to share their close readings. Each group shares their analysis of the text using their annotated copy on the Rap Genius website. After each group’s presentation, there should be an opportunity for anyone in the class to add an annotation to the poem or short story. Because the same author wrote each text analyzed by the small groups, the students should better be able to use their knowledge of the author’s style, biography or evolution as a writer to expand on the original analysis of the poem or short story.

This assignment provides the students with multiple audiences—the individual members of their small group, the class at large, and the Rap Genius online community. It also encourages the students to learn from each other. The exercise offers multiple points where class participation shapes the analysis of the text, and the diverse readings of different texts by the same author are able to inform each group’s close analysis as well as the larger appreciation of the author’s body of work.

Suggestions for Instructor Preparation:

This assignment works best after the fundamentals of close reading have been established in the class. Ideally, the teacher will have first modeled the close reading of a passage from a poem or short story, as then lead a collaborative close reading with the class of another text. Once the teacher is confidant the class can lead their own close readings, he or she can use this assignment as a platform for allowing the students to execute a close reading without the direct guidance of a teacher.

Please note that this assignment requires the instructor to upload each text that the students will analyze to Rap Genius prior to the closer reading exercise. It is easy to post a text; there are detailed instructions on the website and it requires you to paste a copy of the text onto the website. (And if there are any questions, do not hesitate in asking Jeremy Dean, the head of “Education Genius Department” for Rap Genius and a University of Texas alum! His contact info is Jeremy@rapgenius.com)

Instructions For Students:

1. Each group of students (3-4) will be handed a different text, either a poem or short story, written by the same author. (Note: This can either be done at the beginning of class if it is a short text, or before the beginning of class if it is a longer text.)

2. Each group will discuss the text and identify important passages (Usually 6 – 8).

3. Each group will then analyze these passages, providing insight on the style, historical context or thematic value of the passage. Each analysis should be 1 – 4 sentences long. This analysis can either be done on paper or on a computer, but if it is done on a computer it will be easier for the students to copy the analysis and paste it in their annotation.

4. Each student will make an account on Rap Genius (rapgenius.com), which will allow them to annotate texts on the website. An email, a username and a password are all that are needed for an account.

5. Each group will then find their text on the Rap Genius database.

6. Once the text is found, they should add their analysis of each passage as online annotations to the text

a. To add an annotation:

i. Highlight the passage you wish to annotate

ii. An option “Annotate” will appear. Click this button.

iii. Add analysis to the text box.

7. When the group's annotations are complete, all of the small groups should reconvene as a whole class.

8. Each group can now present their analysis of their text, going through each annotation and explaining the importance of each passage.

a. For example:

i. How does each of their annotations analyze the author’s use of rhetorical style?

ii. What are the central symbols or themes present in the selected passage?

iii. What historical context did the group add in their annotation to help the reader better understand the passage?

iv. What biographical details from the Author’s life or career might help deepen our understanding of the passage?

9. After each group finishes the presentation of their analysis, allows other students in the class the opportunity to amend or add to any of the annotations.

Evaluation Suggestions:

This exercise is perhaps best assessed as component of the student’s participation grade. A specific number of annotations should be required form each group (6-8 usually works well). Their presentations should also be clear.

However, the Rap Genius annotation platform could be used in a version of this assignment that is completed by each individual student, and not as a small group exercise. Or the teacher could add an annotation component to a student’s essay on the close reading of a passage; the student could have to submit both a short essay and export a certain number of annotations from his essay onto the Rap Genius website.

Notes on Reception, Execution, etc.:

Students generally reacted well to this assignment, especially to the fact that their final analysis was posted on Rap Genius, available to anyone on the Internet. It was also a good way to incorporate the computer classroom into a English literature class. Furthermore, some students continued to annotate other texts on the Rap Genius website after the exercise was completed, as Rap Genius is continuing to expand their inclusion of literary texts. A few students were especially interested in annotating texts from the extensive list of Rap, Indie Rock and Pop songs on the website.

Course Type:

Advanced Writing Course

Course Description:

This assignment is designed for an English Literature course with access to a computer lab. It has been used effectively in Ethnic American literature classes, where it is important to consider both literary style and historical context when close reading passages. The assignment is also good for analyzing poems that are influenced by historical events, where the students can identify in selected passages how authors directly engage political and cultural touchstones from their respective eras. The exercise is also designed for class with 25 or less students.

Tags:

Google Images and Book Covers - Tracking Cultural Change

Ptacek — Wed, 19 Jun 2013 19:37:08 +0000

Author:

Jake Ptacek

Image Credit:

Screen shot of Lolita book covers retrieved with Google image search

Brief Assignment Overview:

Images on book covers, blurbs or reviews on dust jackets, and publishers’ summaries all provide constructed argumentation about the text within that is designed to provoke an emotional and analytic response. This lesson plan is designed to get students thinking about the ways in which cover images provide valuable evidence in the way in which a text (in this case, Vladimir Nabokov’s Lolita) is marketed and interpreted over time.

Type of Assignment:

Class Discussion

Assignment Length:

Pedagogical Goals - Rhetoric:

Audience

Visual Rhetoric

Pedagogical Goals - Literature:

Pedagogical Goals - Writing:

Pre-Writing

Pedagogical Goals - Digital Literacy:

Open Access Software

Remediation

Visualization

Media Requirements:

Technology-Based Classroom (computers for each student)

Required Materials:

I created this lesson for a networked classroom where each student could have internet access, though a classroom without could request that students print out their images the night before, or profitably use a projector as the groups present.

Timeline for Optimal Use:

Useful Anytime

First Day/Week

Early in the Semester

Full Assignment Description:

Students are often presented with paratextual apparati that contributes to determining their response to a work of literature. Images on book covers, blurbs or reviews on dust jackets, and publishers’ summaries all provide constructed argumentation about the text within that is designed to provoke an emotional and analytic response. This lesson plan is designed to get students thinking about the ways in which cover images provide valuable evidence in the way in which a text (in this case, Vladimir Nabokov’s Lolita) is marketed and interpreted over time. I found that this in turn could contribute to a discussion of a text as a historical document.

Suggestions for Instructor Preparation:

Before this class I had given a brief lecture on the history of the composition and publication of Lolita, and we looked at and analyzed the original French cover together, asking questions that were quite similar to the ones in the student prompt.

I had my students log into their computers and head to Google Images. I broke my students up into two- or three-person teams as I have 22 students in this class, but this is of course optional. (NB: Depending on the text, you may wish to enable the “safe search” function on your computers—searching Lolita brought up some occasionally questionable material.)

I handed out prompts to each group (see below in student instructions).

After 20-25 minutes, we came back together and we took a tour through the classroom, where each group gave a brief presentation based on their prompt for the rest of the class.

I did this in one 45-minute class, but the assignment could easily be expanded or transformed into a take-home exercise as needed. In the future I think I will try to make this a two-day exercise. I’d like to have the students upload their images to a class wiki, so that we could easily put them into chronological order, which would allow us to clearly and easily see how the images change (or remain static) over time.

Instructions For Students:

Your goal in this exercise is to think about how a cover image for the novel Lolita constructs a reader's response to the novel. What kinds of things does this image make us think? What does it say about the novel at that historical moment? To do so, you will use Google Images to find a striking cover image for the novel and analyze the image.

Once you’ve logged into your computers, head to Google Images
When you’ve arrived at Google Images you and your partner should search for some cover images used on the novel Lolita. Try some different searches—adding different key words (cover vs book) or countries (America vs Australia) will often provide you with different content.
Discover when and where your image was created—is it a Turkish edition from 1959? A Russian edition from the 1990’s? An American edition from the 2000’s? What type of image is it—a photograph? A drawing? A painting? Is it an identifiable piece of art (a famous painting or photograph) or does it look like it was commissioned for that edition?
With your partner, think about and brainstorm some answers to the following questions: What are the first words that come into your mind when you see this image? What does it make you think of? If you hadn’t read any of the novel, what would this image make you think the book was about? Now that you’ve read (some of ) the novel, what kind of relationship(s) does this image have to the text? Who seems to be portrayed? From whose viewpoint are we looking? Does this image spark any ideas about the cultural construction of the book? What kinds of people would make this book, and what kinds of people would read it? These questions are only a starting place. Please feel free to explore and think about more issues raised by your image.

Be prepared to enlighten the rest of the class about the image you’ve chosen (when and where it’s from, and a brief summary of your thinking about part 4) for about 3-5 minutes.

Evaluation Suggestions:

I did not formally evaluate this assignment except as part of daily class participation

Notes on Reception, Execution, etc.:

This was an easy and even fun way to get a conversation started about how paratexts can affect the ways that we read, and also helped us to talk about how different cultural and historical moments look at texts differently. Students who are sometimes reluctant to traditionally close-read in class can often surprise themselves with a sophisticated reading of a visual text, and keeping the exercise group-oriented and low stakes allows them to demonstrate their skills with little pressure.

Course Type:

Tags:

Banned Books Virtual Read-Out

herbly — Fri, 05 Apr 2013 21:48:42 +0000

Author:

Hala Herbly

Image Credit:

bannedbooksweek.org

Brief Assignment Overview:

Students videotape themselves reading 2-minute-long passages from a banned book of their choice. They then upload their readings to the Virtual Read-Out Youtube channel, sharing them nationally. Instructions can be found here.

This assignment is well-suited to banned books classes, though I don't see why anyone else couldn't participate. Banned Books Week falls at the beginning of every October, and the American Library Association, among many others (see here for a full list of sponsors) organizes a Virtual Read-Out.

Since I am teaching my banned books class during Banned Books Week, I am making student participation in the Virtual Read-Out optional for extra credit. Even though this assignment is voluntary, I've had a couple of submissions, and a few more are in the works.

Type of Assignment:

Semester-long Project

Assignment Length:

Partial Class Period

Pedagogical Goals - Literature:

Additional Pedagogical Goals:

This assignment accomplishes a few pedagogical goals. First, it requires the student to choose a book important to them, thus requiring a degree of engagment that compulsory excercises don't always inspire. It should be noted that they are not required to read from books that I've assigned--the American Library Association has a comprehensive list of most challenged books since 1990. Thus a few students seem to have chosen books with personal significance to them, unexpectedly making this an excercise in ethos-building.

Second, this excercise fosters collaboration. Since a few of my students are more tech-savvy than others, they have offered to record and edit other students' readings. My class has entirely voluntarily created a facebook group to help them organize a larger group version of the read out project, editing together several readings into one entry.

Last, the read-out compels them to pay attention to oratorial style. A few have remarked that they had to think of ways to keep the reading from becoming monotonous. And even those who have not voiced such concerns tend to rely on inflection and emphasis in their readings.

When our submissions reach a critical mass, I plan on devoting a chunk of class to watching and analyzing their performances, paying attention to their stylistic choices.

Media Requirements:

Technology-Based Classroom (computers for each student)

Required Materials:

Video camera (available through phone, webcam, or video camera). Web cams are installed in all Lab computers and cameras are also available for check-out.

Timeline for Optimal Use:

Useful Anytime

Full Assignment Description:

In honor of Banned Books Week, perform your own Virtual Read-Out!

Choose a text of your choice from the ALA website and create a video of yourself reading a passage from the book in question. You don't have to choose a book we're reading this semester. The Virtual Read-Out rules advise you to keep this reading under 2 minutes. Then, when you're done, send it to me, and upload it to the Virtual Read-Out Youtube channel. You could be internet famous! instructions can be found here.

Due Date: By the end of the semester.

This will count as extra credit on your final paper. Note: videos MUST be uploaded to the Virtual Read-Out Youtube channel in order to count for extra credit.

Suggestions for Instructor Preparation:

Be sure to look over the Banned Books website preparatory to presenting the assignment to class. N.b. though Banned Books Week ended Oct. 6, there appears to be no cutoff date for submitting videos.

Present the website. I took some time to go over the "Most Challenged" lists for the past year or two, which generated an interesting discussion about what books were banned and why.

Then take them to the Virtual Read-Out page. Explain the assignment.

Instructions For Students:

In honor of Banned Books Week, perform your own Virtual Read-Out!

Due Date: By the end of the semester.

This will count as extra credit on your final paper. Note: videos MUST be uploaded to the Virtual Read-Out Youtube channel in order to count for extra credit.

Evaluation Suggestions:

As I note above, this assignment is voluntary, for extra credit. I plan on awarding 5 extra points toward the final paper to anyone who reads or otherwise participates in a reading.

Course Type: